Tag Archives: editing

So many words…

So April must have knifed the previous three months in the back and leapfrogged ahead. That’s the only explanation for me to be looking down the barrel of the first school holidays for this year. It’s been a busy three and a half months editing wise, and after being offered the role of lead editor for the SNAFU series, and editor for Cohesion Press’ upcoming releases, it’s been a whirlwind of amazing words crossing my screen.

What hasn’t been happening is reading for pleasure (although, conversely, the stuff I’m reading for Cohesion is brilliant indeed). But I’ve had the same novel sitting on bedside table, untouched, for going on three months. And it’s a novel I’m truly invested in – City of Wonders, the third in the Blasted Lands series by James A Moore. However, by the time I head to bed after a full day of editing, my eyes feel like someone’s rubbed them with sandpaper, and I know picking up the book will do not only me, but the story itself a disservice.

Last year I read a total of twenty-five books (novels, anthologies, collections and graphic novels), and that doesn’t seem a lot for the average avid reader, which I’d definitely class myself as. So why wasn’t I reading as much as I thought I should (or wanted)? I’ve often said I read a lot for my editing business, but had no real idea what ‘a lot’ was, so I decided to quantify ‘a lot’ and started keeping track of the word count of all I read for “work”. Yes, those are deliberate quotations – see previous paragraph about the brilliance of what I read.

SNAFU Future Warfare  Into-the-Mist-194x300  American Nocturne  Jade Gods

Now anyone who knows me, knows that not only do I totally suck at math, but math totally hates me back. It’s giving me the finger right now. But even I can’t deny the numbers, and believe me, I’ve tried. From ‘That can’t be right’, to ‘Stupid fat fingers must be hitting the wrong buttons’. But no. The numbers definitely add up. It’s a believability thing.

In January of this year, I read a total of 300,200 words; February was a doozy, reading 568,100 words, and March? 392,350. In the first three months of this year, I’ve read: 1,260,650 words. That’s right – one million, two hundred and sixty thousand, six hundred and fifty words.

If we break that down to novels – at a word-length of 90,000 – that’s …. (hang on, doing math, this may take a while)… okay, that’s 14 novels. Fourteen novels in three months. That’s more like it! That’s more me.

The beauty of reading for editing is that you sometimes get to read stories that you may not normally pick up at a bookstore or buy online. This year I’ve read horror, military horror, regency romance, crime, fantasy, YA, children’s books, non-fiction on refugees and Human Rights Law, eating disorders, and corporate planning. It’s a funny ol’ world.

City of Wonders

I used to feel guilty about not reading as much as I used to, but not anymore. Sure, my ‘to read’ mountain grows ever-higher. And yes, I’m still buying books to read – really, that wasn’t ever going to stop. But now I look at the novel sitting on my bedside table and think: Soon, my pretty, soon. And when we are once again reunited, it will be bliss.

Here’s to Women

I’ve been noticeably absent from my blog – not through choice but rather time constraints – I thought it fitting to return to it today. Just past Women in Horror Month, and it being International Women’s Day, what better time?

I am a woman working in horror, I am a woman writing horror, I am a woman raising a young woman… I am woman.  There are some, though, who don’t approve of that fantastic mix of women and horror (I’m not linking to any of that shite), and refuse to read any horror stories penned by women.  Hell, there are those who won’t read anything written by a woman, and while this might surprise some, it doesn’t surprise me – not in this world we find ourselves in.

Elitism exists in the publishing world, and has long-since been an issue for women who love the horror genre – those who write, read, act, direct, edit, et al ­– have faced criticism, ridicule, anger, disdain for daring to venture into horror. We’ve been mocked, derided, ignored, threatened, doxed, we’ve been made to feel unwelcome, our passion for the genre belittled because we don’t swing that Y chromosome. Get out of our man-cave!

Fury Road

I’m here to tell you that Y chromosome means squat when it comes to writing horror; the X chromosome means squat, too. You see, writing horror isn’t about chromosomes, it isn’t about being a man or a woman or neither of the aforementioned. It’s about writing a good story, a great story. It’s about making good art.

Unfortunately, there are those who believe horror/dark fiction is the bastion of men, and that’s why Women in Horror Month was born; to break down those walls, those prejudices, the ignorance. Women can’t write horror because they don’t know it? We don’t understand fear? Terror? Subjugation? Do my ovaries automatically signal my inability to dissect, disembowel, decapitate, dismember a character? Can I not create a world only to destroy it with impunity? Look away, uterus, there’s gonna be blood…

I’m not the only one who sees the ridiculousness of this. I’m not the only one who sees the disparity of the perceived belief of a woman’s “place” within the horror genre; within any publishing medium. If you think women are fairly represented, then take a look at this video and tell me this is right.

There are women writing amazing horror, women are editing, acting in and directing kick-arse horror movies and programs. Don’t limit your reading and viewing; horror and dark fiction is the greatest genre you can indulge in – a wide variety of voices and styles only enriches us all. Find storytelling from women, people of colour, from diverse backgrounds, from those who identify as LGBTI, from those with disabilities, from all walks of life, culture, religion and the non-religious. Open your scope and take in the wonder of diversity.

So as I sit here writing and drinking coffee from my Wonder Woman mug, here’s a small list of women writers and editors you should be reading:

Lee Murray, Silvia Moreno-GarciaKaaron Warren, Rivqa RafaelChristine Morgan, Nalo HopkinsonKirsten Cross, Sophie Yorkston, Angela Slatter, Octavia E Butler, Joanne Anderton, Catriona Sparks,  Rose Blackthorn, Zena Shapter, Paula R Stiles, Maria Lewis.

The above list only scratches the surface of women writers making their mark, and I encourage you to source more – diversity of voice will open worlds that ignite your imagination and take you to places of wonder.

And really, we’re all welcome in this place of storytelling.

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Festivus Book Pimping – SNAFU series

For your military horror dining delight, I bring you a big, fat course of SNAFU for your Festivus feast. Sit down, strap on (easy) your kevlar, and lock’n’load – it’s about to get messy. SNAFU (Situation Normal All Fucked Up) is the series put out through Cohesion Press that covers different takes on the military horror theme.

I’ve been lucky enough to be involved from the start as one of the co-editors of the series (with Geoff Brown), and having the pleasure of working with some truly amazing storytellers, both established and up-and-coming, and from here and overseas.  But more than that is the calibre of stories on offer.

Cohesion has four SNAFU anthologies currently on the market – two print/ebook and two ebook-only offerings. All of the anthologies have brilliant Dean Samed cover art, with internal art supplied by the wonderfully-talented Monty Borror. This is seriously good monster art – you won’t want to miss it.

SNAFU 1

Let’s begin with the first in the series, the entre: SNAFU: An Anthology of Military Horror. War is hell, and this offering was Cohesion’s first foray into the military horror theme, and garnered a Bram Stoker Recommended Read and finalist for the Australian Shadows Award (edited publication), thanks to the talented writers.

Next up for tasting in the series is SNAFU: Heroes, which offers novellas and short stories from Jonathan Mayberry, James A Moore, Weston Ochse and Joseph Nassise. As the blurb says: ‘From demons to horrors from the deep, the battles keep on coming. Fight or die…’

SNAFU Heroes

SNAFU: Wolves at the Door, is the next to the table, where you will share your meal with… my, what big teeth you have! This ebook tells the tales of soldiers fighting against all manner of were-animals – wolves take precedence in this instalment, but the diversity is staggeringly good. Stories with bite! (How could I not say it?)

And check out the cover art…

SNAFU Wolves

But wait, there’s more! The next in the print series is SNAFU: Survival of the Fittest, which was released in August this year. This is survival horror where every bullet counts. Low on ammo, this is about soldiers trying to make it out alive against nightmares made real. And damn, if these authors don’t know how to wrangle some nasty enemies for their squads.

SNAFU Survival

There are two more in the series on the horizon; I’m currently working on SNAFU: Hunters (think Grimm, Van Helsing, ‘Supernatural’s’ Sam and Dean), which will be published early next year. This SNAFU is all about the hunt, the thrill of the chase, and the uncertainty of outcome. Then there’s SNAFU: Future Warfare – military horror with a sci-fi bent (yeah, you know you want that!), which is due around mid-year. So keep your eyes and ears open for these, kiddies… well not literally kids, ‘cause unless you’re willing to shell out cash for some serious therapy, these books aren’t for them.

The beauty of the SNAFU series is that stories cover the gamut of historical to modern warfare; from Viking raids, the World Wars, Vietnam, Korea, Afghanistan… and all time periods and locales. And if you think you’ve read of every monster out there? Think again, my friend, oh yes, think again. There’s a diversity here that will keep you (or those you’ve gifted these treasures to) turning the pages.

Recommended for anyone who loves military stories, military horror, supernatural horror, straight messed-up horror… you get the picture. They’re brutal, they’re bloody, they’re awesome.

Editors Aren’t Your Enemy

I don’t hate you. Really I don’t. These are phrases that often go through an editor’s mind as they work through your manuscript. We don’t hate you or your story; we’re not evil trolls ready to destroy your work. We’re not monsters who hack and slash at your words with wild abandon, our red pen dripping with the life-blood of your characters.

bloody pen

We’re not the enemy. We will, however, be your story and your characters’ advocate – devil or otherwise. That’s our job. And editors love their job. I know I do. We get to help a writer push the limits of their storytelling, to advise and collaborate to bring out its best. We question plots and sub-plots that aren’t cohesive, characters that appear to be acting out of character. We see what you don’t. Why? Because we’re not as close to your story as you are.

Objectivity is what we bring to the table, and it’s why all stories, no matter how they’re published (self or traditional) need another set of eyes (or more) to look over them. We haven’t been in your head developing the character(s), we don’t know the intricacies of their backstory – how they came into being. All we get is what’s on the page. If we question a particular point, or are confused about a character’s motivations, chances are so will your reader.

When going through a manuscript, we’re constantly aware that any edits, questions or suggestions may not sit well with an author; I mean we’re taking their lovingly-crafted baby and making marks all over it. We understand the blood, sweat and tears that have gone into bringing your work to life, especially those of us who are writers as well. We don’t laugh maniacally when we ask you to consider changing something, or deleting a scene altogether – we know it hurts, but we also know it could be the best thing for your baby.

One of my clients had a character she had been living with for a very long time, and about halfway through the manuscript, I noted the character was acting and speaking in a way that didn’t reflect them or their purpose. When I mentioned this to the client, they were surprised they hadn’t noticed it – I had the objectivity the client no longer had. When I saw the next draft of this manuscript, the character was better than even I could have imagined. I couldn’t have rewritten it – that’s not an editor’s job, they’d never be so presumptuous – but I could point out the issues and return it to the creator who knows their character far better than I ever could. Collaboration: when it works, magic happens.

book imagination

I know a lot of writers dread the editing stage of the manuscript, but this is a stage that needs to be embraced and enjoyed – you’re getting down to the nitty-gritty of the publishing process. Yes, if you misuse a comma or your verb-tense is a little off, we’re there to pick those up for you. We ensure your syntax is just right, that your characters and places are consistent in description and spelling, and will explain why.

Editing is a place where a writer can learn those intricacies of the English language, and we’re happy to share our knowledge. Why? Because we’re word nerds. I will happily walk through the reasons why you can or can’t use a semi-colon; why I’m a proponent of the Oxford comma, or how short, sharp sentences convey tension within a scene. I will explain why ‘showing’ works to create a deeper connection to the reader than ‘telling’ ever will, and why the passive voice can make the reader feel like a spectator rather than a participant, and why there are very, very few instances where punctuation exists outside speech marks. (This is usually where you’ll need to tell me to shut up, as I can wax lyrical for hours. Just ask my husband – he’s the one over there with the perpetual glassy-eyed look.)

So yes, editors are an essential part of the publishing process, whether you’re going the self-publishing route or traditional, and perhaps more so with self-publishing as this is a step quite a few SP authors overlook (or, sadly, believe they don’t need). I’m here to tell those authors you’re not only doing yourself a disservice but that of your potential reader. Nothing will piss off a reader more than a poorly written, non-edited book they’ve paid money to read. I know; I’ve been one of them.

bullshit

With the enormous amount of choice out there for readers, it’s getting harder to have your work, your stories noticed among the millions. But what will always help, what will always bring a reader back is when an author takes the care to put their very best work out in the world. Part of that process is to work with professionals. I read a post from a self-published author on this very thing – read it here; it has some great insights about finding a professional. (Yes, I’m her editor, and you absolutely should read her collection of short stories when it comes out – I can’t recommend it enough.)

And a professional is what you need. When sourcing an editor (or proofreader, cover artist, formatter/layout artist), check their credentials! I’ll say it again: CHECK THEIR CREDENTIALS! A professional will have studied, they will have qualifications backed up by paperwork, and they will have experience – all of which should be available to you. Ask. And ask for a sample edit – most will provide one.

There are a plethora of sources to find professional editors, but word-of-mouth is your best bet. Ask other writers who they’d recommend, ask forums and social media. If you can, source someone who specialises in your genre as they’ll have insights other editors may not. And speak to at least five editors before you make a decision. Not all editors will be the right fit, but when you find the one that clicks, you’ll make magic.

magic book

Weaponised Darwinism – SNAFU: Survival of the Fittest

I have many hats, both real and virtual, and today I’m wearing a pretty swish fedora with sparklers for added flair, and for very good reason.  *dons promotion hat*

SNAFU: Survival of the Fittest (the fourth in the series), hit the shelves the other day and it’s going great guns, as well it should. Sure, as one of the editors of this awesome tome, I’m biased but I’ve every right to be – *points to promotion hat* – the hat says I can.

As of this afternoon, the anthology sits at #3 on Amazon’s horror short stories, behind two of Stephen King’s books. NUMBER THREE! *does snoopy dance* (which looks spectacular with the sparkler-laden promotion hat, I gotta say.)

SNAFU Survival

The title of this anthology says it all – this is military horror at its most primal. Live or die. We’re not talking that peaceful slip into the abyss but, you know, flayed of flesh annihilation. We’ve got some of the best writers in the genre penning their soldiers and breathing life into their monsters. And oh what monsters they have for you! Think re-animation, demon and devilry, alien and elder creatures, mythos, and those birthed from nightmare’s bowels. What stands between you and these horrors are elite forces, para-military, mercenaries, and the (not-so) ordinary grunt from battles both modern and historical.

And lets not forget the art. The amazing cover is the creation of the ultra-talented Dean Samed, and each story has internal art by the genius that is Monty Borror.

As  co-editor of this kick-arse anthology with the equally kick-arse, Geoff Brown of Cohesion Press,  I’m immensely honoured and privileged to work with authors of this calibre – without them, SNAFU: Survival of the Fittest, wouldn’t be the book that it is.

To say I’m proud of this band of SNAFU authors is an understatement. So do yourself a favour, and check out these amazing authors and the monsters they’ve unleashed upon the world.

Table of Contents:

Badlands ­– S.D. Perry

Of Storms and Flame Tim Marquitz & J.M. Martin

In Vaulted Halls Entombed Alan Baxter

They Own the Night ­– B. Michael Radburn

Fallen Lion Jack Hanson

Sucker of Souls Kirsten Cross

Cold War Gothic II: The Bohemian Grove Weston Ochse

After the Red Rain Fell Matt Hilton

The Slog Neal F. Litherland

Show of Force Jeremy Robinson & Kane Gilmour

(Available in ebook, paperback and limited-edition hardcover with signature pages.)

Now I’m off to put out the sparklers before I set myself on fire…

 

The Long and Short Of It

I write. Have done for as long as I can remember, but this last year the second draft of my novel (or as it likes to taunt: double-dare you to finish me, mofo!), has monopolised my time. Novel writing has had a steep learning curve – sometimes I joyfully get it, other times I despair. Ah, the rollercoaster life of a writer – amazing highs and some really shit-house lows.

Of late, I’ve been in that dead zone between highs and lows: the ‘Meh’ State, as I like to call it. While I’m still running on the high of my comic release, a writer needs to keep moving forward, and… enter the Meh State.

Neh

It’s taken a while for me to figure out why there’s been an itch the novel couldn’t scratch, but after a week in the country at my dad’s farm, it became apparent – short stories. So focussed I’ve been on getting through this next draft of the novel that I’ve neglected one of my favourite writing mediums.

I returned to fiction writing (from journalism) about seven years ago, and it was with short stories I decided to lay my hat. There was method to my choice: mastering short-story writing would enable me to write a lot tighter, which in turn would assist with my ability to write a lot more story into a novel.

Writing long is a very different beast to writing short, but there’s intrinsic value in learning the art of short-story writing. Creating a complete story within a limited word count means every word has to fight for its right to be in the story – a skill that transfers extremely well to novel writing. It’s a skill I have; one of my shortest pieces (under 3,000 words) won the Australian Shadows Award in 2011. And I’ve been applying it to the novel… and here is also where I think I’m coming undone. It’s the focus on making every word count – especially in this second draft – that is taking me longer to get this draft done than I’d like. There’s a need to shift gears, to see the bigger picture.

Help me

But that’s not the only thing that’s pushed me into the Meh State. I’ve missed writing short stories. A lot. Honing in on a moment in time, a sliver of someone’s life, is a whole lot of fun (yes, horror is a helluva lot of fun to write – murder and mayhem and monsters, oh my!); there’s no need to create a world on the same scale as the novel, but more drip-feed the world/culture into the story – just enough for set the reader in that world.

And let’s not forget the gratification side of things. Writing a short is far quicker than writing a novel (duh), and there’s also a much quicker response time for a short story, be it accepted or rejected. You know what’s happening with it far sooner than you would with a novel. It’s that high of having a story out in the world, fighting for its right to be in an anthology that I’ve missed, the feeling of being actually working (regardless of how stupid that sounds).

Balance. That’s what I was missing. I’d forgone the love of writing in the short form to pursue the lure of writing in the long. As of today, I have two short stories out in the world at the moment, both written within the last few weeks, and I’m currently working on another for an anthology that deadlines at the end of this month. I’m pumped. Not just to finish this short, but to also get back to the novel. Going back to writing short stories has reignited my desire to finish the novel.

As with anything, having such a singular focus can drain the joy from things you love. That was my mistake.

And that’s the long and short of it.

 

2015? We Need to Talk…

Aah, 2015, how’d you arrive so quickly? Well you’re here now, so let’s get one thing straight, I have some damn high expectations forthcoming, so if you could not rush through this year as you did the last, that’d be great. Not that 2014 sucked by any stretch of the imagination, but I’ve set goals (note: that’s goals not resolutions) that I will reach, and strict regulations on my family/work/writing time management.

2014 was very business-oriented, with most of my time taken up with editing – don’t get me wrong, I love what I do; working with other authors… there’s not a lot that beats that!. This year, however, I will be much stricter with my working hours and my ‘no working weekends’ policy.  Still, business is good, and the authors I worked with last year were most inspiring. Writers rock!

I also had the pleasure of being a co-editor on the SNAFU series with Geoff Brown, the owner and editor in chief of Cohesion Press. SNAFU: An Anthology of Military Horror, and SNAFU: Heroes have both been released to strong sales, but more importantly, kick-arse reviews. SNAFU: Wolves at the Door, will be released this month, and as with the other SNAFU anthos, there are some truly amazing stories within, both from established writers such as James A Moore, and some new writers you definitely need to keep an eye on.

SNAFU Wolves

As for last year’s reading (I’m talking for pleasure, here, not work), I kicked 2013’s arse. Twelve novels and two short story collections, which I plan to beat this year as well. I’ve a review coming for the last collection I read, and am already well into the first novel for this year.

Writing wise… well, this had to take a bit of back-seat. I finished the script for for my comic, ‘The Road’, and the uber-talented Monty Borror has finished the art – I can’t begin to put into words how Monty has captured my vision for the comic, only to say that I am extraordinarily humbled as well as mind-blown by the man’s work. Lettering will begin soon, and the comic will be launched at Melbourne ComicCon in June through Cohesion Comics. (Watch out Melbourne, here I come! Ahem…)

road page 29

I wrote one short story last year, which was short-listed for a pro-paying market (that’s a win for me), but most of my writing was taken up with the first draft of my novel. Things there are progressing a lot slower than I’d like, but I have plan, and six weeks to get it done. And get it done I will. Then it’s rewrite time! I’ve also set a short story goal of four for the year, all to be subbed to pro markets. (See 2015? Goal-motivated  – don’t be screwing with me and start messing with time.)

So 2015, I’m taking no prisoners and you’d better be on board. Don’t make me get all stabby with you.