Woe, the story be done, and I am sadder for it. A tad too dramatic? That may well be, but that’s the thing will brilliant storytelling, you don’t want it to be over. And that’s exactly how I felt as I was nearing the end of the fourth book in James A Moore’s Seven Forges series (Angry Robot Books).

It’s a terrible thing watching your bookmark move ever closer to the end. Part of you craves the conclusion while that other part of you is yelling to slow down, to prolong the read for as long as you can. But I finally closed the cover on The Silent Army, and I can say without a shadow of doubt this is one of the best fantasy series I’ve read.

Now before I embark on the small breaking-down of the book, let’s get the spoiler alert over and done with. While that’s happening, don’t mind me while I clean the cobwebs out of this blog – s’been a while, folks.

Okay, *clears throat*

HERE THERE BE SPOILERS! THERE, THERE BE SPOILERS! EVERYWHERE, SPOILER SPOILERS!

Now I’m going to give you one final chance to bail now, because if you haven’t read book three (City of Wonders) then the beginning of the next paragraph is going to rob you of an epic reveal so turn away now. Go on. No sneaky-peeks.

So The Silent Army picks up right where book three left off: the city of Old Canhoon is still sailing through the sky toward the mountains, the Sa’ba Taalor are warring their way across the empire, and the gods and magic are amping up for a hell of a showdown. War! What is it good for? Absolutely epic reading, that’s what! (Yeah, I apologise for that.)

The story is told from both sides – from characters fighting for the empire of Fellhein, and from the Sa’ba Taalor. Multiple viewpoints only increased the connection I felt with all of the characters. Sure, there are some that don’t resonate as well as others, there are some that are… well, asshats, but diving deep into the beliefs and motivations for both sides makes it difficult to pick a side – there’s an honesty in that.

There are also those now caught in the middle: Drask Silver Hand (he’s a fave), Nolan March, and Tega – their venture in the Mounds has them almost lifted to the power of gods, and causes much introspection about their involvement in the war. Then there’s Andover (Lashk) Iron Hands – once Fellhein, now very much Sa’ba Taalor. These four play pivotal roles in the outcome of the war, although Moore gives you only just enough to wonder what’s at play before slapping you upside the head with the revelations – and there are many.

I can’t go further without again sending a big kudos to Moore for his magic system – especially that of the Sa’ba Taalor. It’s brutal, it’s beautiful, and it brokers no dissent. The gods of the Seven Forges are moving house, and they’re usurping mountains, creating their own if need be, and they’re doing it on a grand scale – their kings will die, and die well, to ensure it.

The Sa’ba Taalor are born for battle, while the Fellhein army has somewhat fallen on its laurels. Moore shows the reader the difference between warrior and soldier. But the Fellhein have the Silent Army – large stone soldiers that protect Old Canhoon. Stone soldiers that move via the walls, stepping out and attacking those Sa’ba Taalor who have hidden in the meat-sacks of Fellhein individuals as they wreak havoc on the city before it settles back to earth (ah, King Swech, you kick serious bum, girl!). It’s an army that’s the match of the Sa’ba Taalor, and their battles are ferociously good.

There’s so much good about this book, about this whole series that I can’t even begin to explain why you should be reading this. I was completely and utterly immersed in this world, and I damn well didn’t want to leave it (or be forced out by the end of The Silent Army). The only recompense is that there are three more in the series, the first of which is at least a year away. But don’t think you need to wait for those before starting on this series – books one through four have a complete story arc.

And a special shout-out to cover artist Alejandro Colucci, whose covers for the whole series were just gorgeous.

With a glut of books on the market, take my word that this is a series you’re going to love. You’ll be invested, you’ll be immersed, and you’ll wonder why you didn’t pick these books up earlier. It’s epic fantasy at its best. The writing is strong, the characters beautifully flawed, and the magic systems are wonderfully unique. James A Moore is one of those writers that as a reader, you love; and as a writer, he makes you want to be better.

On a Goodreads scale I give it five stars (if I could give it ten, I would. Or eleventy-million – either or.)