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ALL ABOARD THE PUNK’D TRAIN!

Tick-tock… tick-tock… tick-tock…

The countdown has begun!

We have flung wide the window for submissions for the next in Cohesion Press’ SNAFU series (opened the shutters beforehand and everything!). The theme? PUNK’D. Yes, you read that right: PUNK’D. We are looking for all that in ‘PUNK’ in this next edition of the series. Give us your steampunk, your biopunk, cyberpunk, clockpunk, magicpunk, ecopunk, your retrofuturistic… you get the picture. (Or read here and here.)

As the editor-in-chief for Cohesion I tend to do when each sub window comes around, is write up a little sumpin’ sumpin’ regarding the guidelines and what I’m looking for and what I most definitely AM NOT looking for. These are vitally important when it comes to submitting stories to Cohesion.

As is my wont, I will also be filling this post with gifs because snark is built into my DNA, and gifs are the perfect medium for such.

Right! All aboard! Let’s get this baby chugging along!

From the above, you can rightly guess that we’ll be receiving quite a bit of steampunk, and while I do love me some horror-train goodness, the anthology won’t be filled with steampunk stories, so if that’s the way you want to roll, make sure you knock it out of the park – there can be only one (perhaps two).

While your imaginariums are firing on all cylinders, keep in mind that yes, PUNK is the theme but you must also give us ACTION and MONSTERS. The SNAFU series is military-based action-horror of the beasty kind. So give us your modded-creatures, your nano-creepy-crawlies, give us your nightmares… and have your factions fight those nasties!

ACTION. ACTION. ACTION. SNAFU tales are built on action, and it must be a major part of the tale you send us. Did I mention action? There should be action. Lots of it. And monsters.

Also, please keep in mind the anti-authoritarianism, anti-big corporate, pro-personal freedom that so often applies to the punk genre.

Hoo-boy, that’s a lot to take in! Much rules, many bits. But that’s the beauty of Punk that opens it up for such a wide-range of storytelling options. So go wild, my friends!

I would also like to point out that there’s also been slight changes to the guidelines, so have a good ol’ read of those. Seriously. Read them. Twice if you must. Score them into your grey matter and make sure to ADHERE to them – that’s really an important part of the process. Don’t hit the guidelines? Yep, you guessed it, it’s a rejection.

And speaking of rejections, it’s now time for the DO NOT WANT part of the submission process. Pay particular attention to this because holy shit, some fail the comprehension part of this section. DO NOT FAIL THE COMPREHENSION! BE THE COMPREHENSION!

Please get the following into your eyeballs:

  • Rape as a plot device/backstory
  • White saviour stories
  • Racism, bigotry, misogyny of any kind in the narrative voice
  • Child abuse/paedophilia (can’t believe we have to say this, but we do)
  • Rape as a plot device/backstory (yes, we have to say this twice)
  • Fanfiction or derivatives

Should any of the above appear in your tale, it will summarily rejected. No, you cannot argue the point. No, I don’t want to hear your ‘reasoning’ – it will be bullshit, and I don’t have the time nor the crayons to explain to you why this is so.

Something to keep in mind: SNAFU is predicated on action-based stories, active voice is your friend here. Sure, there’s a time and place for passive voice, but action/high tension scenes hit harder with active voice.

I work on a three-tier slush process:

  1. Slush: all stories are read and either rejected or moved to the longlist
  2. Longlist: all stories are re-read and either rejected or moved to the shortlist
  3. Shortlist: yep, re-read and either rejected or you move to ToC.

Note: No acceptances are sent out until AFTER the sub-window closes.

This may seem a laborious process, but it works for me and allows me to curate the best anthology of the stories submitted. The most difficult part is that there are times when I have to reject excellent stories because curating an anthology is also about how well the stories work together to make a kick-arse whole.

Oh, and should you make it to the ToC, your story will be edited. We will work together to make your story the best it can be. Your story may be lightly edited or heavily edited, but it will be edited. Discourse is always encouraged. Mutual respect is a given. You want to be an asshat? We will reject a story at ToC stage if any of the following occurs:

  • rude and/or derogatory comments
  • failure to implement edits and/or rewrites in a timely manner (deadlines be real)
  • requesting a male editor (true and shitty story)
  • attempting to slyly add words/phrases to your story that hit the DO NOT WANT marks listed earlier in this post (also a true and shitty story)

I think that pretty much covers everything. And if you’ve read this far, gold star to you!

Oh, and if you were unaware, all the SNAFU series is read by Tim Miller (Blur Studios), and some of our published stories have appeared in Love, Death & Robots. If this doesn’t inspire you to send us your very best, well… I got nothin’…

And one final note:

We actively encourage submissions from all cultural backgrounds, ethnicities, and identities. Storytelling is for everyone, and we are richer for it when all voices are heard.

Get writing!

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Review: The Rage of Dragons by Evan Winter

Ah, it’s review time again! Evan Winter‘s African (Xhosa) inspired epic fantasy  The Rage of Dragons (The Burning, Book #1) is a story I wish I’d dived into sooner as I am in love with this book and its characters. If you haven’t added this to your TBR mountain, then rectify this immediately!

In keeping with the short reviews (because time and I are still at loggerheads), I’m not going to go into a huge, in-depth breakdown of character and worldbuilding and plot — others do that far better than me, but know that the characters reach into your chest and do both terrible and wonderful things to your heart, that the worldbuilding is unique and beautiful and terrifying, and that the plot arcs with a deft hand through the story.

The journey with Tau is a fraught one, and you can’t help but want him to reach his end goals despite knowing it likely isn’t going to end the way you’d want it to. The secondary characters, particularly Tau’s Scale, are diversely unique, with their own quirks and their own secrets, their own desires too, and the influence they have on Tau and he on them, the building of friendships that start unwanted was a joy to read.

The political ideology of the world, the caste system that’s one of oppression with a baited hook of betterment strung with a poisoned worm hits hard, and continues to hit ever harder as Tau starts to really understand what’s at play and what those in power will do to maintain their hold of it. The ‘Rage’ is real, folks, I felt it through them, for them.

Rage of Dragons

The magic system, holy shit, the magic system. There’s some terrifying shit in the Isihogo, and Winter’s descriptions of the demons within and the destruction they wrought on bodies was top notch. As were all the battle scenes/skirmishes — I love me a good fight scene, and Winter knows how to write them, to give them the speed and believability, the horror of it.

I flew through the last third of this book, reading way past the witching hour — this book is a sleep-thief, and I gladly let it do so. Thing is, I NEED the next instalment because goddamn, that ending… How Aran would have been proud. Hit me right in the feels.

I can’t recommend this enough, and I give it all the stars!

Bring on book two: The Fires of Vengeance. I am so here for it.

Oh, oh, oh! And look at that cover! Like, get your face in it!

‘How To Novel’. Pt 1: Time

Carrying on from my previous post about how I “finished” the first draft of my novel, I’ve decided to chronicle the process that worked for me. I have absolutely no idea how many posts will be in ‘How to Novel’. Like the first draft of my book, I’ll know when it’s done.

Before I begin, I’m going to issue a caveat with each of these posts:

This is the process that worked for me. It may not work for you; it may not be workable to your circumstances. Take from it what you think might be achievable, tweak it to fit, or ignore completely! (Also, there will be swearing.)

Right, let’s do this!

The first thing I want to talk about is TIME. You know, that thing of which you never have enough. *shakes fist at Chronos*

TIME is a huge part of writing anything. Being able to sit uninterrupted (apparently this is a thing, being uninterrupted) and devote the time and mental space to create, to fire up the imagination is often a luxury many of us either struggle with or just plain don’t have. Or, when you do, you’re just too buggered to engage the mind to make word-babies.

I run a successful editing business, and I love my what I do. I also have the joy of working from home (pants optional). I also have a partner and children, which means my days need to be as structured as they can be if I’m to achieve all that needs achieving. Life, of course, often gives me the finger – there’s much in my day that needs doing. Trying to fit writing time into that has been a serious struggle for the last couple of years, so while story ideas and characters percolated, they never quite made it to the page.

My writing partner, the storytelling-gifted Devin Madson, kept on about MAKING TIME to write. You’ve probably heard the same from others, and while it sounds incredibly simple, actioning it was difficult especially when weighed against my business. <– See that there? I used ‘against’ because that’s how I viewed it. An either/or situation when it wasn’t the case. It was a mind-shift moment. My business and my writing weren’t in opposition, they just had to share the space.

Tangles of Time by Oli-86

Tangles of Time by Oli-86

So I took a week to figure out where I was more productive when it came to writing, as editing I can do any time of the day or night (yes, a lot of the time I pull long hours at the desk). It was morning that came out the clear winner on the writing/creativity front. That was where my time needed to be eked out. I started small – gave myself an hour each morning, and… I sucked at it.

The thing is, it’s not just about making time, it’s about GUARDING TIME. I was checking emails, doing laundry… shit, I forgot to feed the fish… that kind of thing. And I was wholly unproductive and I hated myself for it. What I wrote in those first two weeks gave me no joy. Everything about it was just… wrong.

So I reset. I guarded that time. Nothing but writing. No interruptions. No fucking social media, time-stealer that it is. And I explained it to my family, too. From this time to this time, I’m writing. I will not answer questions, I will not help you find your shoes, you know where the spare toilet rolls are kept, dammit. I trunked that last attempt at the novel, and opened a new page. One hour each morning, and I guarded that time like Heimdell guards Asgard. Was it easy? No. The pull of ‘other things’ was strong, and that required another mind-shift: it’s an hour, other things can wait an hour. And they could.

Was the writing easy? Hell no. I needed to get past the pressure that I had to write ‘x’ amount of words. And here’s a tip: you need to be kind to yourself while guarding that time. Some days I’d write a couple of hundred words, other days a couple of thousand. But you know what became easier? Guarding that time. And once I did, once I got past the guilt (fuck guilt with the power of a thousand suns), the words came. The story flowed. Yet I think the story-flow had a lot more to do with the percolating and that I was ready to write the novel. TIME gave me the opportunity to do so.

One hour a day was my minimum writing time. I upped it to two hours a couple of weeks in, and was mindful of the editing projects I had. That extra hour writing time in the morning meant I worked later into the evening on editing projects. And this is where my privilege comes in. I’m lucky that I work from home (and I work damn hard at my job, no question), but that means I can take that time. I also have a super supportive partner who loves to cook, and while one of my kids is still at school, both are older and can look after themselves. I’m fully aware not everyone is in my boat.

This is where the ‘tweaking’ comes in. If you don’t have an hour, try half an hour. Hell, take five or ten minutes and ‘sprint’ words. Set a timer, write like a demon until that bell rings. Guard that time like Heimdell. Up the time if and when you can. But form that habit. From ‘x’ time to ‘x’ time is nothing but writing time. It’s not about word count, it’s about TIME. Time to do the thing that soothes the soul.

We’re all busy. Life’s like that. And there’ll be times when you don’t feel like writing, that there are other things that need to take precedence. It’s happened to me, and I took five minutes one day as it was really all I had, but it was more to keep the habit. Once it’s a habit, it does become easier. You look forward to it, and it makes you all the more keen to ensure you do make the time. And those days you just don’t have it? Well, you just don’t have it. Be kind to yourself. Just try to not make the ‘I don’t have the time’ become the habit because it’s easy as hell to slip into it.

If you don’t have the time every day, then set aside time on the weekend if you can. Just one day. See what happens.

As I said at the beginning of this post, how I worked through writing the first draft may not work for you, but if there’s something in here you can work with, that you can tweak to your lifestyle, to all the many things you’re juggling, especially in these Covid Times, then take it and run with it, my friend. We all need more books, all need more stories to immerse ourselves in. Why not let it be your tale?

 

Review: The Bone Ships by RJ Barker

I am not a boat person. Or a ship person for that matter. My gut doesn’t agree with the waves other than to paint them with some technicolour. I am irrationally rational about my fear of the beasties that live in the deep. But I would walk the fucking slate with Joron Twiner and Lucky Meas.

The worldbuilding in The Bone Ships is spectacular, and those that inhabit not just the cruel seas but Tide Child are a cut above… a cut above a jib (take that seafaring lingo!). The bone ships in The Bone Ships are literal ships made of bone – sea dragon bone. And while most are of glorious white, lit by corpselights, and the pride of The Hundred Isles, we sail with Joron and Meas on a black ship. A death ship where all onboard have been condemned, they just await the Hag’s justice, their fate as black as the bones that make up Tide Child.

I’ve decided that all my book reviews will be short this year, because time and poor and all that jazz. But I can’t go past making special mention of the gullaime, the bird-like creature who commands the winds. It was a stand-out for me, but more so the friendship it develops with Joron. The characters make this book, and they are as different as they are wonderful and awful and sad and hopeful. The battles are hard and desperate, but the characters who walk the slate of Tide Child, truly do make this book. From Farys to Solemn Maffaz, Mevans and the Courser, the gullaime and Garriya.

 

the-bone-ships-cover

I loved this story, and cannot wait for the next in the series. RJ Barker has created a vivid, atmospheric world and peoples that are rich in their layering and resonate in their being. There’s a little bit of us in all of them.

Special shout out for that cover, too. Swanky AF.

(Small mention re the language and created words in the book; I’ve seen some people balk at this, but I had no trouble with it at all — they were close enough in spelling, and context really is everything, ey?) 

Authors for Fireys

Unless you’ve been living under a rock of late (and more power to you if so), you’ll have noticed that Australia, especially the east coast, is suffering through a firestorm that has killed 23 people, burned 8.4million hectares, destroyed more than 1700 homes and incinerated over half a billion native wildlife. When we use the word catastrophic, it’s not hyperbole. Our sky has appeared apocalyptic, and the smoke has travelled over to New Zealand, staining their snowy peaks (sorry, my wonderful Kiwis).

Through it all, our fireys have been fighting this growing firefront for months, and this past week has seen the worst of it… so far. A perfect storm of sky-high temps, dry air, strong winds, and land that hasn’t seen rain in months or longer (tinder-dry). Our volunteer fireys are working day and night, and some with equipment that doesn’t quite cut it when it comes to what they’re facing — the heat, the smoke, the embers. These amazing men and women fight fires without pay, putting their lives at risk to save people and wildlife and homes — three volunteer fireys have died doing so, leaving young families behind.

Our government, especially on the Federal front, are a bunch of climate-change-denying asshats (don’t get me started on the waste of space that is our PM), and while they’ve finally agreed to financially compensate our volunteer fireys, there’s so much more that is needed.

Enter, Authors for Fireys. This is an auction from creatives that is running on Twitter, where you bid on specific offers with all proceeds going to the CFA (Country Fire Authority). There are some truly wonderful things on offer: signed books, limited books, being tuckerised in upcoming books; there are props and scripts, cartoon panels, creative consults, library research, handmade bookmarks, manuscript assessments… and cakes. Yes, cake, for those based in Melbourne — they’re amazing cakes!

The auction is running for a week (until January 11).

How it works: Use the Twitter hashtag #AuthorsForFireys to see what’s on offer and what appeals to you. Each creative runs their own auction from their tweet, and bids are made in the replies. Highest bidder wins. Once the auction is over, the winner will be asked to donate directly to the CFA — proof of donation is required. All donations are in Australian dollars.

Is it endorsed? Yes, head to this website for the details. The CFA have been informed of the auction and have given their permission to proceed.

So check out #AuthorsForFireys and see where you can help.

You can also make donations directly to the many volunteer firefighter associations (CFA, RFS etc), as well as the numerous animal welfare/sanctuaries assisting with saving our native fauna.

Every little bit helps, and every donation is so very much appreciated by all who call this part of our planet, home.

 

Firey

Review: The True Bastards by Jonathan French

FUCKING GLORIOUS!

 

True Bastards

I should say more; go into delicious detail about Fetching driving this story and the beautiful inner and outer conflict of her struggle as chieftain of a hoof. Of the revelations and hits given along the way. About the roller-coaster of emotions I rode and how I laughed and commiserated, and even how one scene had my Fitbit log my reading of it as exercise (I shit you not). I mean, it has half-orcs riding hogs, elves and halflings, centaurs and frails, thicks and thrices, wizards and magic, barbarians and gods and fighting pits… But FUCKING GLORIOUS covers it.

The True Bastards is the second book in The Lot Lands series, and if you loved The Grey Bastardsthen you’ll adore this.

Ten stars out of five (fuck you, math!)

 

 

 

 

 

 

 

 

Festivus Book Pimping: The Winnowing Flame trilogy by Jen Williams

In this instalment of Festivus Pimpage, we’re dipping our feet back into the fantasy waters with Jen Williams’ most epic The Winnowing Flame Trilogy. This was another trilogy I picked up on the recommendation from a friend, and I couldn’t be more pleased he pushed me in books’ direction (hat tip, Tam – I owe you!).

Right off the bat, I’ve only read the first two in the trilogy: The Ninth Rain and The Bitter Twins. The final book in the series, The Poison Song, is out in audiobook but I am waiting for my print copy to arrive before digging in… for three reasons: 1) anticipation is half the fun, 2) I do so love my print books, and 3) I am so invested in this series that I do not want it to end.

That last point alone should tell you how good this series is. The characters are diverse and unique, and it’s also so damn refreshing to have one of the main characters be a smart, capable woman over forty who can damn well hold her own (oh, how I love Vintage!).

The world-building is exquisite and the characterisations of each of not only the main players but the secondary ones is masterfully done. From early on I was invested, and that had me devouring the first two books, and now I am in that dreaded no-man’s land of so wanting the third book… but not. While this is definitely a story seated in fantasy, there’s a touch of sci-fi to it when it comes to the monsters and the threat they pose, of how those of the world try to deal with that and the mythology within said world that is on the cusp of death.

the-ninth-rain-jen-williams

Blurb for The Ninth Rain:

The great city of Ebora once glittered with gold. Now its streets are stalked by wolves. Tormalin the Oathless has no taste for sitting around waiting to die while the realm of his storied ancestors falls to pieces – talk about a guilt trip. Better to be amongst the living, where there are taverns full of women and wine.

When eccentric explorer, Lady Vincenza ‘Vintage’ de Grazon, offers him employment, he sees an easy way out. Even when they are joined by a fugitive witch with a tendency to set things on fire, the prospect of facing down monsters and retrieving ancient artefacts is preferable to the abomination he left behind.

But not everyone is willing to let the Eboran empire collapse, and the adventurers are quickly drawn into a tangled conspiracy of magic and war. For the Jure’lia are coming, and the Ninth Rain must fall…

Blurb for The Bitter Twins:

the-bitter-twins-jen-williams-21-02-18

The Ninth Rain has fallen, the Jure’lia have returned, and with Ebora a shadow of its former self, the old enemy are closer to conquering Sarn than ever.

Tormalin the Oathless and the Fell-Witch Noon have their hands full dealing with the first war-beasts to be born in Ebora for nearly three hundred years. But these are not the great mythological warriors of old; hatched too early and with no link to their past lives, the war-beasts have no memory of the many battles they have fought and won, and no concept of how they can possibly do it again. The key to uniting them, according to the scholar Vintage, may lie in a part of Sarn no one really believes exists, but finding it will mean a dangerous journey at a time of war…

Meanwhile, Hestillion is trapped on board the corpse moon, forced into a strange and uneasy alliance with the Jure’lia queen. Something terrifying is growing up there, in the heart of the Behemoth, and the people of Sarn will have no defence against these new monsters.The Ninth Rain has fallen, the Jure’lia have returned, and with Ebora a shadow of its former self, the old enemy are closer to conquering Sarn than ever.

Blurb for The Poison Song: (pre-orders at that link)

The Poison Song

All is chaos. All is confusion. The Jure’lia are weak, but the war is far from over.

Ebora was once a glorious city, defended by legendary warriors and celebrated in song. Now refugees from every corner of Sarn seek shelter within its crumbling walls, and the enemy that has poisoned their land won’t lie dormant for long. The deep-rooted connection that Tormalin, Noon and the scholar Vintage share with their Eboran war-beasts has kept them alive so far. But with Tor distracted, and his sister

Hestillion hell-bent on bringing ruthless order to the next Jure’lia attack, the people of Sarn need all the help they can get.

Noon is no stranger to playing with fire and knows just where to recruit a new – and powerful – army. But even she underestimates the epic quest that is to come. It is a journey wrought with pain and sacrifice – a reckoning that will change the face of Sarn forever.

I can’t rave enough about this series, and if the first two books are anything to go by, then The Poison Song will be heat-punchingly wonderful. Seriously, you need to be reading this series.

As I mentioned, while The Night Rain and The Bitter Twins are out in print with glorious covers, The Poison Song is out on audiobook – and hell, audiobooks are also a great gift this Festivus season! As are ebook and print… any format of book is a thing of wonder and magic, and what better gift is that?

Recommended for those who love fantasy, dark fantasy, (very) low sci-fi, diverse characters and relationships, character-driven tales, and giant kick-arse creatures of mythology. I mean, what’s not to love?

 

Festivus Book Pimping – The Long War: Tales from the Pharos Saga by Justin Coates

All right, I have been Sucky McSucky-Claus (clause?) when it comes to Festivus Pimpage these last few days, but in my defence, there just aren’t enough hours in my smoke-haze-filled days. Also, smoke haze gives the shit gift of headaches.

PIMPAGE! IT’S PIMPAGE TIME!

For a change of pace, it’s story collection time! One of the authors I’ve worked with a few times in the SNAFU series is a hell of a writer and I wish more people knew just how talented he is so I’m gonna shout this from the rooftop… carefully, you know, ‘cause we have a pitched roof…

Right then, Justin Coates’ collection, The Long War: Tales from the Pharos Saga, hits all the marks for edge-of-your seat horror. Fast paced and action-filled, it covers a gamut of monsters and themes that cover an array of time periods that are all linked within this crazy cosmic world of his. This is a mix of previously published stories as well as original content that is melded perfectly together to form one hell of a reading experience.

 

The Long War

Here’s the blurb:

Demons. Aliens. Vampires. The undead. These and more prey on humanity from the shadows, and from the shadows, arise those brave or foolhardy enough to stand against them. These are their stories: a disgraced priestess on a mission to kill a god, an agent from a secretive government organization sent to investigate a series of grisly murders, a soldier on the front lines of an apocalyptic war, a slave haunted by the whispers of a dark spirit, a reluctant serial killer desperate to stop a far greater danger, and more. Featuring stories previously published in military horror anthologies, as well as exclusive content not published elsewhere, the Long War collection introduces the reader to the world of the Pharos Saga, a setting that spans from the distant past to the not-so-distant future, and invites them to stand against the night in a battle for the very soul of humanity.

 

Even knowing the skill with which Justin can craft a story, I flew through this collection and it cemented an even greater appreciation for the imagination and unadulterated visceral connection he can make between character and reader. I fucking loved it. And as this is Volume One of the Pharos Saga, I cannot wait for him to get Volume Two done and dusted.

Recommended for those who enjoy horror, military horror, cosmic horror, thrillers, dark fantasy, weird horror, sci-fi, short story collections, and just general bad-arsery (or assery for those of the US persuasion).

 

 

Festivus Book Pimping: Blood of Heirs/Legacy of Ghosts by Alicia Wanstall-Burke

And so, as this year draws toward its end, we once again move into that most sacred of sacred times… Festivus of the Pimping of the Books! Praise be!

Ahem.

I’ll just… moving right along…

We all know that books make the best Christmas presents, so for the next twenty-four days, right up until Santa breaks into your house and eats your food, I’ll be dropping book recommendations of those I’ve read and/or worked on this year that would be most excellent gifts for loved ones and friends and colleagues and that weird relative we all seem to have. (If you are the weird relative, I tip my hat to you!)

Right, let’s get this party started with a double-shot of fantasy for the Festivus Pimping: Blood of Heirs and Legacy of Ghosts by Alicia Wanstall-Burke. Yep, there are two books now released in The Coraidic Sagas, the latter of which was released just yesterday (Nov. 30), so you get to sink your teeth into books one and two in a relatively short period.

But let’s delve a little deeper into each.

Blood of Heirs is a current finalist in the Self-Publishing Fantasy Blog-Off (SPFBO) competition. For those unaware of the comp, click here for info. Making the finals for SPFBO is a hell of an achievement — top ten of three hundred books submitted. And it well deserves the accolades. It’s a darker fantasy, with magic and monsters and mayhem all set to the backdrop of Australian-inspired lands and fauna. We follow two protagonists, Lidan and Ranoth, two polar opposites but both fighting battles that could change not only them, but their respective worlds.

bloodofheirs

Here’s the blurb:

Lidan Tolak is the fiercest of her father’s daughters; more than capable of one day leading her clan. But caught between her warring parents, Lidan’s world begins to unravel when another of her father’s wives falls pregnant. Before she has time to consider the threat of a brother, a bloody swathe is cut through the heart of the clan and Lidan must fight, not only to prove her worth, but simply to survive.

Ranoth Olseta wants nothing more than to be a worthy successor to his father’s throne. When his home is threatened by the aggressive Woaden Empire, Ran becomes his city’s saviour, but powers within him are revealed by the enemy and he is condemned to death. Confused and betrayed, Ran is forced to flee his homeland, vowing to reclaim what he has lost, even if it kills him.

Facing an unknown future, and battling forces both familiar and foreign, can Lidan and Ran overcome the odds threatening to drag them into inescapable darkness?

The sequel, Legacy of Ghosts, takes place four years after the end of book one, and ramps up the tension and action and magic. There’s a whole lot weighing on the decision both Lidan and Ran make, the consequences of which are brutal and unforgiving.

Legacy-of-Ghosts-cover.jpg

 

Here’s the blurb:

Four years have passed since Lidan’s world was ripped apart, and time is running out to change her father’s mind about the succession before the bargain with her mother expires. Torn between what she wants and what she knows is right, she is faced with an impossible choice; will her brother live, or will he die?

Within the walls of the Hidden Keep, Ranoth holds his secrets close as he tries to harness his wild magic. But when life in the Keep descends into chaos, he is cast once more into the outside world, forced upon a southward path toward unknown lands and untold danger.

With Ran set on seeking justice and revenge, and Lidan fighting to find her feet and follow her heart, journeys will converge, and the ghosts of a past thought long dead will rise.

I enjoyed the absolute shit out both of these books and can’t wait for the third in the series. And, full disclosure, I worked with Alicia on Legacy of Ghosts, but hand on heart (yes, I have one) you won’t be disappointed with the beauty of the prose nor the depth of the character’s she’s created.

Recommended for lovers of fantasy, dark fantasy, grimdark, horror, character-driven stories, unique worldbuilding and monsters. Hell, those monsters

Not Dead, I Just Look That Way

Seriously, I’m not. Though it may appear that way considering the lack of posts these last few months. The lead-up to Christmas is one of my busiest times when it comes to work, so it’s been head down, bum up, and loooong hours in the editing chair.

But fear not, good readers! Things are about to change!

The tradition of Festivus Book Pimping is upon us! Can I get a book-a-lujah! (It’s a thing, work with me here.) For those unfamiliar with the tradition, every few days in the lead up to Christmas, I will be pimping a book I’ve read and/or worked on this year that I believe deserves to be wrapped in shiny paper and gifted to a loved one, friend, colleague… or even Secret Santa that baby. Hell, want to give an author friend a present? Gift their book to someone — two turtle doves and all that.

As you know, books are the best gifts (fight me), but it can sometimes be a little overwhelming knowing which books to choose for someone (or someones). Enter, Festivus Book Pimping! Each pimping will come with a mini-review and recommendation, plus a link to where you can purchase — be it print or ebook.

As Stephen King said, “Books are uniquely portable magic.” The man’s not wrong, and what better gift to give someone, than magic.

Stay tuned…
book magic