Festivus Book Pimping: The Winnowing Flame trilogy by Jen Williams

In this instalment of Festivus Pimpage, we’re dipping our feet back into the fantasy waters with Jen Williams’ most epic The Winnowing Flame Trilogy. This was another trilogy I picked up on the recommendation from a friend, and I couldn’t be more pleased he pushed me in books’ direction (hat tip, Tam – I owe you!).

Right off the bat, I’ve only read the first two in the trilogy: The Ninth Rain and The Bitter Twins. The final book in the series, The Poison Song, is out in audiobook but I am waiting for my print copy to arrive before digging in… for three reasons: 1) anticipation is half the fun, 2) I do so love my print books, and 3) I am so invested in this series that I do not want it to end.

That last point alone should tell you how good this series is. The characters are diverse and unique, and it’s also so damn refreshing to have one of the main characters be a smart, capable woman over forty who can damn well hold her own (oh, how I love Vintage!).

The world-building is exquisite and the characterisations of each of not only the main players but the secondary ones is masterfully done. From early on I was invested, and that had me devouring the first two books, and now I am in that dreaded no-man’s land of so wanting the third book… but not. While this is definitely a story seated in fantasy, there’s a touch of sci-fi to it when it comes to the monsters and the threat they pose, of how those of the world try to deal with that and the mythology within said world that is on the cusp of death.

the-ninth-rain-jen-williams

Blurb for The Ninth Rain:

The great city of Ebora once glittered with gold. Now its streets are stalked by wolves. Tormalin the Oathless has no taste for sitting around waiting to die while the realm of his storied ancestors falls to pieces – talk about a guilt trip. Better to be amongst the living, where there are taverns full of women and wine.

When eccentric explorer, Lady Vincenza ‘Vintage’ de Grazon, offers him employment, he sees an easy way out. Even when they are joined by a fugitive witch with a tendency to set things on fire, the prospect of facing down monsters and retrieving ancient artefacts is preferable to the abomination he left behind.

But not everyone is willing to let the Eboran empire collapse, and the adventurers are quickly drawn into a tangled conspiracy of magic and war. For the Jure’lia are coming, and the Ninth Rain must fall…

Blurb for The Bitter Twins:

the-bitter-twins-jen-williams-21-02-18

The Ninth Rain has fallen, the Jure’lia have returned, and with Ebora a shadow of its former self, the old enemy are closer to conquering Sarn than ever.

Tormalin the Oathless and the Fell-Witch Noon have their hands full dealing with the first war-beasts to be born in Ebora for nearly three hundred years. But these are not the great mythological warriors of old; hatched too early and with no link to their past lives, the war-beasts have no memory of the many battles they have fought and won, and no concept of how they can possibly do it again. The key to uniting them, according to the scholar Vintage, may lie in a part of Sarn no one really believes exists, but finding it will mean a dangerous journey at a time of war…

Meanwhile, Hestillion is trapped on board the corpse moon, forced into a strange and uneasy alliance with the Jure’lia queen. Something terrifying is growing up there, in the heart of the Behemoth, and the people of Sarn will have no defence against these new monsters.The Ninth Rain has fallen, the Jure’lia have returned, and with Ebora a shadow of its former self, the old enemy are closer to conquering Sarn than ever.

Blurb for The Poison Song: (pre-orders at that link)

The Poison Song

All is chaos. All is confusion. The Jure’lia are weak, but the war is far from over.

Ebora was once a glorious city, defended by legendary warriors and celebrated in song. Now refugees from every corner of Sarn seek shelter within its crumbling walls, and the enemy that has poisoned their land won’t lie dormant for long. The deep-rooted connection that Tormalin, Noon and the scholar Vintage share with their Eboran war-beasts has kept them alive so far. But with Tor distracted, and his sister

Hestillion hell-bent on bringing ruthless order to the next Jure’lia attack, the people of Sarn need all the help they can get.

Noon is no stranger to playing with fire and knows just where to recruit a new – and powerful – army. But even she underestimates the epic quest that is to come. It is a journey wrought with pain and sacrifice – a reckoning that will change the face of Sarn forever.

I can’t rave enough about this series, and if the first two books are anything to go by, then The Poison Song will be heat-punchingly wonderful. Seriously, you need to be reading this series.

As I mentioned, while The Night Rain and The Bitter Twins are out in print with glorious covers, The Poison Song is out on audiobook – and hell, audiobooks are also a great gift this Festivus season! As are ebook and print… any format of book is a thing of wonder and magic, and what better gift is that?

Recommended for those who love fantasy, dark fantasy, (very) low sci-fi, diverse characters and relationships, character-driven tales, and giant kick-arse creatures of mythology. I mean, what’s not to love?

 

Festivus Book Pimping – The Long War: Tales from the Pharos Saga by Justin Coates

All right, I have been Sucky McSucky-Claus (clause?) when it comes to Festivus Pimpage these last few days, but in my defence, there just aren’t enough hours in my smoke-haze-filled days. Also, smoke haze gives the shit gift of headaches.

PIMPAGE! IT’S PIMPAGE TIME!

For a change of pace, it’s story collection time! One of the authors I’ve worked with a few times in the SNAFU series is a hell of a writer and I wish more people knew just how talented he is so I’m gonna shout this from the rooftop… carefully, you know, ‘cause we have a pitched roof…

Right then, Justin Coates’ collection, The Long War: Tales from the Pharos Saga, hits all the marks for edge-of-your seat horror. Fast paced and action-filled, it covers a gamut of monsters and themes that cover an array of time periods that are all linked within this crazy cosmic world of his. This is a mix of previously published stories as well as original content that is melded perfectly together to form one hell of a reading experience.

 

The Long War

Here’s the blurb:

Demons. Aliens. Vampires. The undead. These and more prey on humanity from the shadows, and from the shadows, arise those brave or foolhardy enough to stand against them. These are their stories: a disgraced priestess on a mission to kill a god, an agent from a secretive government organization sent to investigate a series of grisly murders, a soldier on the front lines of an apocalyptic war, a slave haunted by the whispers of a dark spirit, a reluctant serial killer desperate to stop a far greater danger, and more. Featuring stories previously published in military horror anthologies, as well as exclusive content not published elsewhere, the Long War collection introduces the reader to the world of the Pharos Saga, a setting that spans from the distant past to the not-so-distant future, and invites them to stand against the night in a battle for the very soul of humanity.

 

Even knowing the skill with which Justin can craft a story, I flew through this collection and it cemented an even greater appreciation for the imagination and unadulterated visceral connection he can make between character and reader. I fucking loved it. And as this is Volume One of the Pharos Saga, I cannot wait for him to get Volume Two done and dusted.

Recommended for those who enjoy horror, military horror, cosmic horror, thrillers, dark fantasy, weird horror, sci-fi, short story collections, and just general bad-arsery (or assery for those of the US persuasion).

 

 

Festivus Book Pimping: Wayfarer’s series by Becky Chambers

On the second day of Festivus, your pimpus brought to you, a sci-fi trilogy that… something-something… something… Festivus! (Look, the idea was there, the execution just sucked. Like real bad.)

Right then. My reading for pleasure this year, while mostly fantasy and grimdark, was interrupted by some sci-fi. I’m not a huge reader of sci-fi, especially ‘hard’ sci-fi, but I picked up the first book in the Wayfarer’s series by Becky Chambers’ on the recommendation of a friend. And I was hooked. Bought the second and third pretty damn quickly.

Waxing lyrical about all of the stories would make this post super long, so I’ll keep to the blurbs for books two and three and wax lyrical about the first.

The Long Way to a Small Angry Planet is the first in the series, and is probably my favourite of the three. It was described to me as: ‘a hug in book form’ – and they weren’t wrong. Set off-world, and taking place mostly on a ship that is somewhat sentient, this book captures all that is right with character-driven storytelling that leaves you feeling… hugged by its end. It’s a story about friendship, at its core, about what we’ll do for those we love. It’s about love and acceptance, hope and freedom and goodness. It about discovering who you are in a universe so big it makes you feel small… but in the ‘smallness’ is where you find a truth, your essential truth. Like a hug. In book form.

The Long Way to a Small Angry Planet

Here’s the blurb:

When Rosemary Harper joins the crew of the Wayfarer, she isn’t expecting much. The ship, which has seen better days, offers her everything she could possibly want: a small, quiet spot to call home for a while, adventure in far-off corners of the galaxy, and distance from her troubled past.

But Rosemary gets more than she bargained for with the Wayfarer. The crew is a mishmash of species and personalities, from Sissix, the friendly reptillian pilot, to Kizzy and Jenks, the constantly sparring engineers who keep the ship running. Life on board is chaotic, but more or less peaceful – exactly what Rosemary wants.

Until the crew are offered the job of a lifetime: the chance to build a hyperspace tunnel to a distant planet. They’ll earn enough money to live comfortably for years… if they survive the long trip through war-torn interstellar space without endangering any of the fragile alliances that keep the galaxy peaceful.

But Rosemary isn’t the only person on board with secrets to hide, and the crew will soon discover that space may be vast, but spaceships are very small indeed.

The second book, A Closed and Common Orbit, picks up not long after the end of book one, and follows the ‘ship’ as she navigates a body and world that should never have been hers, about finding your place in that world, your… fit – without limits.

a-closed-and-common-orbit-by-becky-chambers

Blurb below:

Lovelace was once merely a ship’s artificial intelligence. When she wakes up in a new body, following a total system shut-down and reboot, she has to start over in a synthetic body, in a world where her kind are illegal. She’s never felt so alone.

But she’s not alone, not really. Pepper, one of the engineers who risked life and limb to reinstall Lovelace, is determined to help her adjust to her new world. Because Pepper knows a thing or two about starting over.

Together, Pepper and Lovey will discover that, huge as the galaxy may be, it’s anything but empty.

And we round it off with Record of a Spaceborn Few, while tenuously linked to the first, book three gives us more universe-building and greater understanding of the consequences of Earth and what happened, the consequences of decisions we make, and how we always long for a home. It shows the good, the bad, the ugly, and the resilient. The characters in this, like the first, drive this story, and the ending is superb.

Record of a Spaceborn Few

Blurb incoming:

Hundreds of years ago, the last humans on Earth boarded the Exodus Fleet in search of a new home among the stars. After centuries spent wandering empty space, their descendants were eventually accepted by the well-established species that govern the Milky Way.

But that was long ago. Today, the Exodus Fleet is a living relic, the birthplace of many, yet a place few outsiders have ever visited. While the Exodans take great pride in their original community and traditions, their culture has been influenced by others beyond their bulkheads. As many Exodans leave for alien cities or terrestrial colonies, those who remain are left to ponder their own lives and futures: What is the purpose of a ship that has reached its destination? Why remain in space when there are habitable worlds available to live? What is the price of sustaining their carefully balanced way of life—and is it worth saving at all?

A young apprentice, a lifelong spacer with young children, a planet-raised traveler, an alien academic, a caretaker for the dead, and an Archivist whose mission is to ensure no one’s story is forgotten, wrestle with these profound universal questions. The answers may seem small on the galactic scale, but to these individuals, it could mean everything.

 

I could go on and on about this series, and just how good it is. I’m currently reading Becky Chambers’ latest novella, To Be Taught if Fortunate, and I’m really digging this too. It has the same heart as the trilogy, and I’ve a feeling, this will be a book that ‘hugs’ as well. So I guess this is four books you could be gifting!

To Be Taught

Recommended for those who enjoy sci-fi, space operas, character-driven stories, and books that make you smile long after you’ve finished reading. Like I said, a book hug.

Festivus Book Pimping: Blood of Heirs/Legacy of Ghosts by Alicia Wanstall-Burke

And so, as this year draws toward its end, we once again move into that most sacred of sacred times… Festivus of the Pimping of the Books! Praise be!

Ahem.

I’ll just… moving right along…

We all know that books make the best Christmas presents, so for the next twenty-four days, right up until Santa breaks into your house and eats your food, I’ll be dropping book recommendations of those I’ve read and/or worked on this year that would be most excellent gifts for loved ones and friends and colleagues and that weird relative we all seem to have. (If you are the weird relative, I tip my hat to you!)

Right, let’s get this party started with a double-shot of fantasy for the Festivus Pimping: Blood of Heirs and Legacy of Ghosts by Alicia Wanstall-Burke. Yep, there are two books now released in The Coraidic Sagas, the latter of which was released just yesterday (Nov. 30), so you get to sink your teeth into books one and two in a relatively short period.

But let’s delve a little deeper into each.

Blood of Heirs is a current finalist in the Self-Publishing Fantasy Blog-Off (SPFBO) competition. For those unaware of the comp, click here for info. Making the finals for SPFBO is a hell of an achievement — top ten of three hundred books submitted. And it well deserves the accolades. It’s a darker fantasy, with magic and monsters and mayhem all set to the backdrop of Australian-inspired lands and fauna. We follow two protagonists, Lidan and Ranoth, two polar opposites but both fighting battles that could change not only them, but their respective worlds.

bloodofheirs

Here’s the blurb:

Lidan Tolak is the fiercest of her father’s daughters; more than capable of one day leading her clan. But caught between her warring parents, Lidan’s world begins to unravel when another of her father’s wives falls pregnant. Before she has time to consider the threat of a brother, a bloody swathe is cut through the heart of the clan and Lidan must fight, not only to prove her worth, but simply to survive.

Ranoth Olseta wants nothing more than to be a worthy successor to his father’s throne. When his home is threatened by the aggressive Woaden Empire, Ran becomes his city’s saviour, but powers within him are revealed by the enemy and he is condemned to death. Confused and betrayed, Ran is forced to flee his homeland, vowing to reclaim what he has lost, even if it kills him.

Facing an unknown future, and battling forces both familiar and foreign, can Lidan and Ran overcome the odds threatening to drag them into inescapable darkness?

The sequel, Legacy of Ghosts, takes place four years after the end of book one, and ramps up the tension and action and magic. There’s a whole lot weighing on the decision both Lidan and Ran make, the consequences of which are brutal and unforgiving.

Legacy-of-Ghosts-cover.jpg

 

Here’s the blurb:

Four years have passed since Lidan’s world was ripped apart, and time is running out to change her father’s mind about the succession before the bargain with her mother expires. Torn between what she wants and what she knows is right, she is faced with an impossible choice; will her brother live, or will he die?

Within the walls of the Hidden Keep, Ranoth holds his secrets close as he tries to harness his wild magic. But when life in the Keep descends into chaos, he is cast once more into the outside world, forced upon a southward path toward unknown lands and untold danger.

With Ran set on seeking justice and revenge, and Lidan fighting to find her feet and follow her heart, journeys will converge, and the ghosts of a past thought long dead will rise.

I enjoyed the absolute shit out both of these books and can’t wait for the third in the series. And, full disclosure, I worked with Alicia on Legacy of Ghosts, but hand on heart (yes, I have one) you won’t be disappointed with the beauty of the prose nor the depth of the character’s she’s created.

Recommended for lovers of fantasy, dark fantasy, grimdark, horror, character-driven stories, unique worldbuilding and monsters. Hell, those monsters

Exposing ‘Exposure Bucks’ (Hint: It’s not a real thing)

Looks like it’s that time again, and while it annoys the crap out of me to keep saying this, I will keep saying this so those new to the writing game understand: exposure is not payment for your stories. I’ll say that again for those in the back: EXPOSURE IS NOT PAYMENT FOR YOUR STORIES.

Don’t believe that bullshit from any “publisher” at any time. From this day forward until the end of days, do not believe the bullshit. Exposure is the lie some feed you to get your tales so they make money while you do not.

The reason for this post came about (again) following the ever-vigilant, and still wonderfully-crazy Alan Baxter calling out a “publisher” for just such bullshit. You can find the Twitter thread here. As you’ll see, the screenshots of the encounter show an utter refusal by Post Publishing Co to even entertain the idea they should pay for the stories they publish, but you will get a free epub of the publication ‘as payment’! That’s not payment, it’s grifting.

Also? $30 for an epub is just ridiculous – no one’s going to pay that for an electronic copy of an anthology. Hell, some won’t pay it for an actual print book. What this “publisher” is counting on is the contributors and their friends and family buying it – that’s how they make their money, and it’s predatory behaviour.

Read Alan’s replies for an understanding about how first publication rights can damage story saleability if you give them away for free. This is something all writers, especially those new to the gig need to know – those first rights are like gold and will likely be the most you’ll ever be paid for said story. Don’t give them away for nothing. When subbing, you’ll find the guidelines will ask for previously unpublished tales – that one you gave away for free? You’ll probably never earn on that. Reprint anthologies are few and far between.

It all comes down to placing value on your work. And you damn well should. I wrote a post on just such a thing (you can read it here), and the difference between the amount of publishing credits you have versus publishing credits that hold value. You better believe there’s a difference.

exposure 1

Look, I can’t make you sub your work to paying markets (although you should), and I can’t make you not give the stories you put so much time, effort, imagination and soul into, away for free so others can make money where you don’t (you see the issue there, right?).  What I can do is give you some things to keep in mind when researching markets to sub your work. For the following purposes, I’ll be dealing with anthology rights, but there is crossover for longer works.

PAYMENT:

  • You should be fairly compensated for the work you provide. Avoid those markets that offer no payment – they’re making money off you, not for you.
  • ‘Exposure’ is not payment. If you see anywhere that a publisher is offering you “exposure” as their “payment”, then run like hell… and let others know not to sub there.
  • Epub copies are not payment. They cost virtually nothing to produce and should be part of the payment for your tale (along with money, just so we’re clear) as a contributor copy – most publishers will (should) provide a contributor copy.
  • ‘Exposure’ is not payment.
  • DO NOT, under any circumstance, pay to get published. I don’t care what it’s for or why – money flows to the creative, not away. Never, ever, ever, ever, ever, ever pay.
  • ‘Exposure’ is not payment.

RIGHTS:

  • ‘Rights’ are the licensing of your work to a publisher for a particular period of time. These rights should always revert to you once the stated time period has lapsed. Rights are not a gift the publisher ‘gives’ you, don’t let them tell you different.
  • Publishers will ask for first publication rights for a certain period of time (usually six months to a year is standard). Query anything longer. And if you see anything along the lines of ‘in perpetuity’, run far, run fast. (This may fall under ‘all rights’, which means that once signed, the story is no longer yours, like ever. Sold once, gone forever.)
  • These first rights should not be given away for free – it’s the most you’ll likely be paid for this story (see above points about being paid… with cash, like actual money).
  • Territorial and world rights are different, so always check which is being licenced for your story.

These are just some of the basics you should be looking at to protect yourself against predatory publishers. Believe me, they’re out there. Do you research. Ask around if you’re unsure. Social media and the writing community are a wealth of information – use it to protect yourself and your work.

It comes down to putting the right amount of value on your stories, of the time spent creating worlds and characters for readers. The publisher shouldn’t be the only one making money from a world YOU’VE created. ‘Exposure’ doesn’t pay your bills, ‘exposure’ doesn’t put food on your table, and I’m damn sure ‘exposure bucks’ aren’t any kind of legal tender. You wouldn’t expect a plumber, a mechanic, a lawyer or accountant to work for exposure. Creatives shouldn’t be expected to either.

Now go, make good art. And get paid for that good art.

So, I didn’t win a thing…

And that’s okay. It’s better than okay. It’s pretty damn awesome. It’s career-goal, achievement-unlocked awesome!

It’s been about two weeks since the Aurealis Awards were announced, and while my short story, Child of the Emptyness (Grimdark Magazine), was a finalist in the fantasy short story category, it didn’t get over the line. That honour went to one of the best humans I know, J. Ashley Smith for his tale: The Further Shore.

For those who don’t know, the Aurealis Awards are the premier literary awards for genre fiction in Australia. With the amount of talent on these shores, becoming a finalist is a massive undertaking and I count this as a hell of a win. To be included in this shortlisting was a welcome surprise, and I was chuffed to be on the ticket with one of my closest ‘people’ – the wonderfully crazy Alan Baxter – plus the other amazing authors putting out stellar work not only in this category but all categories.

That’s not to say I wouldn’t have loved the win – we all want to win, we’d all like awards and trophies and that acknowledgement of the work we put into musings. But small steps are forward momentum, and forward momentum is good momentum. Next step in career goal – Aurealis win.

bloody pen

Child of the Emptyness has an unusual origin – it was born from rage. Too often I was seeing female characters in battle situations being the only ones who cried or were horrified by the sight of blood (note for dude-bros: blood isn’t foreign to us, we see it every month for goddamn years), and I was done. From that rage Nyrra was born in all her blood-wearing, human-sacrificing, don’t-fuck-with-me glory. Is she empathetic? Maybe not, but she was never really drawn that way. She’s unapologetically herself. That’s what I like about her.

When I subbed this story to Grimdark Magazine, I was hopeful of a shortlisting, then chuffed to bits with an acceptance. The Aurealis finalist berth was the icing on a very cool cake, and while I couldn’t quite land the ‘cherry’ (yep, I see it), all told, it’s been pretty sweet.

There are people I need to thank that helped me get there. Adrian Collins of Grimdark Magazine for selecting and having faith in my story, and Mike Myers for his excellent editorial touch. And Devin Madson whose constant kicks up the bum to get the story written and her deft insight brought Nyrra fully into the light.

So while I didn’t win a thing, I won so very much. This finalist nod came at a time when I was seriously doubting my ability to tell a good story, a worthy story. We all have those moments. Sometimes they’re fleeting while other times those moments burrow deep, latching talons to bone and tainting your storyteller-marrow. It’s a world of shit, that feeling, but I’ll take the days where the talons aren’t as sharp, where the ‘I can do this’ voice drowns out the ‘no you can’t’.

And for those of you who also didn’t win a thing, I feel you. Keep writing, keep honing your craft, keep making magic – it’s the best gig in the world.

Let’s talk about slush, ba-by…

Let’s talk about you and me… Okay, okay, so my flashback to the ’90s is a little sad but kinda on point for this blog post. As one of the editors for the SNAFU anthologies, and with an upcoming submission window opening, Matthew Summers and I would like to talk about stories, slush, and selections.

Disclaimer time. The information provided here does not guarantee Matt and I will select your story for publication – plot, character, and voice will. But don’t send us a romance tale when it’s military monster horror we’re after. We will cut you.

Right then. Let’s kick this baby off with the guidelines for the open sub window for SNAFU: Last Stand (just click that link). While stories subbed to Cohesion Press have specific marks that need to be hit, one thing EVERYONE needs to understand when subbing a tale to ANY market is to not only READ the guidelines but ADHERE to them (the adhering is the most important part). Know your market.

Slush, we’ve all been there. Jostling for position, stuck in the hell that is the slush pile, shouting ‘look at me’ as you push toward the roped-off area that is the shortlist. So how do you get past the cordon? Look, reading is subjective – what I like someone else may not (they’re wrong), but if the past couple of SNAFUs have taught me anything, it’s that Matt and I are pretty much on the same page when it comes to story selection. Not once have we had to fight it out (I’d win because I fight dirty, just sayin’). But your opening line, your opening paragraph, has to hook us and the following paragraphs need to reel us in. Your start needs to be strong, and it needs to build from there.

Stuck in Hell by 13UG-13th

Your aim, at this point, is to get onto that shortlist, and a killer opening scene is just the way to do it. Does that mean exploding out of the gate all guns blazing? Perhaps. We love high-action tales, and that’s bound to grab our attention. But it can also be that one line that sets the tone for what’s to come. One of my favourite opening lines from a story in SNAFU: Resurrection is from Conviction by NX Sharps – ‘On the 152nd day of our posting at Fort Conviction, Private Olyver Bagwell shit himself to death.’  That certainly had us take notice.

But the follow-up has to hold water. If your story doesn’t make good on its opening promise, then you could be in some trouble. Think about the story you’re wanting to tell, of the character(s) leading us through. A tale well written isn’t going to resonate as much as one that has me and Matt fate-invested.

That being said, well-written is definitely going to get you a look-in. We want narrative that moves a story forward, we want wordsmiths who know how to give us those evocative visuals that bring the horror, the fear, the dread. Active voice is your friend here. Spelling and grammar? We got that, but too many errors and we’re pulled from the story – it’s the same for all those babies sitting in slush piles.  

With the theme of Last Stand, characters will need to make their mark here. Interpret Last Stand as you will, there are an infinite number of ways to incorporate that into your story, but make that tale linger, make us think about it long after we’ve finished reading. And give us action. Make our hearts beat furiously, give us those ‘oh shit’ moments, and make your monsters fucking terrifying. Remember, this is horror, monster horror… with guns and shit.   

One of the best and hardest part of this process is the final selection from the shortlist. Matt and I have passed on some truly great stories, which is always a difficult thing to do. And we don’t take these decisions lightly – a lot of time goes into decision-making, a lot of discussion and back and forths until we have the mixture just right. We don’t make acceptances as we go; something we love early on may not make the cut because a later story in a similar vein resonates more. Our aim here is to provide our readers with a variety of kick-arse tales, where you don’t know what’s coming but you’re hanging for it just the same. The overriding theme that ties them together, obviously, is ‘last stand’. Make it count.

So while I hope this helps you to understand our process, I also hope it helps you to understand the process for any slush pile you find yourself in. Writing truly is the best gig in the world, and rejections are a part of that. We know. Matt and I both sit the other side of the table, we’ve had stories accepted and we’ve faced that sting of rejection. We understand the work, the effort, the time and the angst that goes into getting those words onto the page, of wrangling your imagination into narrative. We salute every one of you.

And for those of you who make it to that final ToC, just a note here to let you know the work has only just begun. There will be edits. We may ask for tweaks, we may ask for rewrites, we may cut a little, we may cut a lot. Thing is, we’ve been doing this a long time, we know our audience and we know what they like. Be professional, not precious. Co-operation is key here. That’s a two-way street, and we have cut stories because of bad author behaviour. Don’t be that person. Keep communication lines open and listen to us as we’ll listen to you. Our aim here is to get the most out of your story, and we will work hard to make it so.

But just before I go, as you may have seen, the introduction for SNAFU: Last Stand will be written by Tim Miller (yes, of Deadpool and the new Terminator fame). As such, we understand the slush pile may well be large – Tim will be reading the final tales. And if that isn’t a reason to send us your very best, I don’t know what is.

Submission window for SNAFU: Last Stand opens April 1st, 2019. (No, that’s not a joke. Yes, we are laughing.)

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