Tag Archives: James A Moore

The Write People

Let’s talk about people. Not random strangers or the fabulous old guy I saw at the bus stop today shouting at passing cars, but those writerly people other writerly people can’t do without… or shouldn’t do without. (This is going somewhere, I swear.)

All right, so we all know writing is a solitary endeavour. I’m talking about the actual act of it – sitting in front of the pc, the laptop, or putting pen to paper old-school. But it shouldn’t be a lonely one. There’s a misguided “romantic” notion of writers holing themselves up in a room, coffee cups balanced precariously as you tap away like a crazy person, the outside world and living people some figment of your imagination because you live wholly within the created and among your characters. And while the coffee cups and crazy person might have a ring of truth, writers need that connection to other writers.

My partner, bless his sarcastically-gifted soul, refers to them as ‘your people’, and he knows when I need to reconnect (for the sanity of us all) … although it’s usually preceded by “day nine of you in your pyjamas”.

This weekend I get to hang out with one of my favourite ‘your people’ – Devin Madson. She makes the trip up to Sydney every year for ComicCon where we can talk all things books, stories, wrangle ideas, talk work, and just shoot the shit. It’s also where we get to catch up with our other writerly friends and revel in the successes of this year and where we think our imaginations will take us next.

There’s a solidarity among writers – no one knows the highs and lows of writing and publishing, the “I’m not good enough”s or the sometimes crippling writer-imposteritis; they’ll empathise, sympathise, and let you know you’re not alone in this gig.

a-mindful-installationA Mindful Installation by Jennie Lynn Paske

But Devin is more than just ‘my people’. You may have seen my announcement of a short story sale to Grimdark Magazine. I’m super chuffed about the sale, not just because it’s a pro-sale, and not just because the story was good enough to be accepted but that the story was actually written. I’m time poor. I run a successful editing business, and work will always take precedence – bills to pay, food to eat, you know the drill –  which means when something has to give, it’s usually writing and sleep (and fuck those people who say “if you want to write, you’ll find the time”, you can shove your self-righteous, guilt-tripping bullshit up your arse… but that’s a post for another day).

Where was I? Ah, yes, Devin. She knows how time poor I am, but she also knows the less I write the more antsy I become.  So with gentle nudges and on-point questioning, she pushed me to write the story that had been gnawing at me, that I thought would be a good fit for GdM. When that first draft was done, she sliced into it like a writing partner should – cutting away the unnecessary and drawing out the good. And so ‘Child of the Emptyness’ was born, and without her it would still be gnawing at my grey matter and making me feel like a failed writer. I also get to share the Grimdark Magazine ToC with her and her awesome story, ‘A Touch of Malice’ – it’s a hell of a win-win.

I’ve written posts about the ‘village’ needed to raise a book, a story but all writers need ‘their people’. You may think you don’t have them, but you do. They’re the ones who will kick you up the bum when they know it’s a kick up the bum you need; they will ask if you are writing with genuine interest and without pressure; they volunteer to critique your work because they want to read your stories, they want you to succeed. This doesn’t have to be an every-day thing, likely it isn’t. But it’s there, and that’s enough to feed the soul.

So a shout-out to my closest of people: Devin Madson (who makes me a better writer, and makes me want to be a better writer); Kirsten Cross (killer storyteller, maker of shenanigans, and my sister from another mother); Alan Baxter (you know why, mister – it’s all in the ‘at least…’ 😊); James A Moore (the kindest of ‘kind sir’s); and Matthew Summers, who never fails to keep me on track.

So find your people, revel in your people, and be the ‘my people’ for others. Like I said, the act of writing is a solitary endeavour, it shouldn’t be a lonely one.

Review: The Silent Army by James A Moore

Woe, the story be done, and I am sadder for it. A tad too dramatic? That may well be, but that’s the thing will brilliant storytelling, you don’t want it to be over. And that’s exactly how I felt as I was nearing the end of the fourth book in James A Moore’s Seven Forges series (Angry Robot Books).

noooo

It’s a terrible thing watching your bookmark move ever closer to the end. Part of you craves the conclusion while that other part of you is yelling to slow down, to prolong the read for as long as you can. But I finally closed the cover on The Silent Army, and I can say without a shadow of doubt this is one of the best fantasy series I’ve read.

Now before I embark on the small breaking-down of the book, let’s get the spoiler alert over and done with. While that’s happening, don’t mind me while I clean the cobwebs out of this blog – s’been a while, folks.

Okay, *clears throat*

HERE THERE BE SPOILERS! THERE, THERE BE SPOILERS! EVERYWHERE, SPOILER SPOILERS!

the-silent-army

Now I’m going to give you one final chance to bail now, because if you haven’t read book three (City of Wonders) then the beginning of the next paragraph is going to rob you of an epic reveal so turn away now. Go on. No sneaky-peeks.

So The Silent Army picks up right where book three left off: the city of Old Canhoon is still sailing through the sky toward the mountains, the Sa’ba Taalor are warring their way across the empire, and the gods and magic are amping up for a hell of a showdown. War! What is it good for? Absolutely epic reading, that’s what! (Yeah, I apologise for that.)

The story is told from both sides – from characters fighting for the empire of Fellhein, and from the Sa’ba Taalor. Multiple viewpoints only increased the connection I felt with all of the characters. Sure, there are some that don’t resonate as well as others, there are some that are… well, asshats, but diving deep into the beliefs and motivations for both sides makes it difficult to pick a side – there’s an honesty in that.

There are also those now caught in the middle: Drask Silver Hand (he’s a fave), Nolan March, and Tega – their venture in the Mounds has them almost lifted to the power of gods, and causes much introspection about their involvement in the war. Then there’s Andover (Lashk) Iron Hands – once Fellhein, now very much Sa’ba Taalor. These four play pivotal roles in the outcome of the war, although Moore gives you only just enough to wonder what’s at play before slapping you upside the head with the revelations – and there are many.

I can’t go further without again sending a big kudos to Moore for his magic system – especially that of the Sa’ba Taalor. It’s brutal, it’s beautiful, and it brokers no dissent. The gods of the Seven Forges are moving house, and they’re usurping mountains, creating their own if need be, and they’re doing it on a grand scale – their kings will die, and die well, to ensure it.

The Sa’ba Taalor are born for battle, while the Fellhein army has somewhat fallen on its laurels. Moore shows the reader the difference between warrior and soldier. But the Fellhein have the Silent Army – large stone soldiers that protect Old Canhoon. Stone soldiers that move via the walls, stepping out and attacking those Sa’ba Taalor who have hidden in the meat-sacks of Fellhein individuals as they wreak havoc on the city before it settles back to earth (ah, King Swech, you kick serious bum, girl!). It’s an army that’s the match of the Sa’ba Taalor, and their battles are ferociously good.

There’s so much good about this book, about this whole series that I can’t even begin to explain why you should be reading this. I was completely and utterly immersed in this world, and I damn well didn’t want to leave it (or be forced out by the end of The Silent Army). The only recompense is that there are three more in the series, the first of which is at least a year away. But don’t think you need to wait for those before starting on this series – books one through four have a complete story arc.

And a special shout-out to cover artist Alejandro Colucci, whose covers for the whole series were just gorgeous.

With a glut of books on the market, take my word that this is a series you’re going to love. You’ll be invested, you’ll be immersed, and you’ll wonder why you didn’t pick these books up earlier. It’s epic fantasy at its best. The writing is strong, the characters beautifully flawed, and the magic systems are wonderfully unique. James A Moore is one of those writers that as a reader, you love; and as a writer, he makes you want to be better.

On a Goodreads scale I give it five stars (if I could give it ten, I would. Or eleventy-million – either or.)

 

Review: City of Wonders by James A Moore

It’s been a while since I’ve reviewed a book here, but as the current word count on reading for work sits at 2, 148, 400 (that’s right, over two million words so far this year), I can be excused for my slow reading-from-my-bookcase rate… and why it took me way longer to read this book than it should have.

So… grab a battle axe, or any self-forged weapon you have handy, wrangle a pra-moresh and mount up – it’s time to make war.

City of Wonders is the third book in the Seven Forges series by James A Moore, and it carries on beautifully and brutally from the first two books. And brutal it is. The kingdom of Fellein is at war with the Sa’ba Taalor – grey-skins born for battle. There’s no pussy-footing around when it comes to war, and Moore doesn’t shy from the savagery of it.

City of Wonders

Now we’re really getting into the meat of battle (can I get a ‘hell yeah!’). The Sa’ba Taalor are ferocious opponents, not given over to fear or mercy. The Fellein are woefully outmatched. Too long they’ve sat comfortable, idle, and they’re paying a damn high price for it.

While there are a lot of players in this series, and the story is told from multiple viewpoints, this only adds to the understanding of both sides of this war. That’s the thing with Moore’s writing, and why I am enamoured with this series – you can’t pick a side. There are no essentially ‘bad guys’ in this war; each side is fighting for their gods; each side has their story and you when you’re in the mind of one of the storytellers, you wholeheartedly understand why they’re fighting – be they Merros Dulver, commander of the Imperial Army, or Tarag Paedori, the King in Iron; or Andover Lashk, Swech, Drask Silver Hand, or Empress Nachia… you side with them, no matter which side of the war they sit.

There’s magic here – sorcery and necromancy. And you can’t forget the gods. The seven gods of the Sa’ba Taalor are one of my favourite parts of this series – so different from anything I’ve read, and while we see more of them through Andover Lashk and his trials, there’s still mystery surrounding them and I’ve no doubt we’ve yet to see the power they can truly wield. Through their gods, the Sa’ba Taalor have had a huge advantage (well that, and they’re a fearsome bunch – even the children are fierce warriors, able to disembowel a soldier with an adept flick of their wrist and weapon), and have destroyed a large portion of the Fellein empire and its people.

The Fellein put their faith in their (mostly) well-trained army, and that of their sorcerer, Desh, but City of Wonders brings the Fellein’s gods to the fore in the form of The Pilgrim. Enigmatic leader of a the faithful he’s collected on his journey to the city of Canhoon, the City of Wonders.

Gods fighting gods, monsters aplenty, warriors pitted against soldiers, and within it all, individuals just looking to survive. Through their eyes we see this looming apocalypse – there can be only one winner. That’s the thing here, though, I don’t know whose side I’m on. It’s Moore’s ability to get the reader inside the head and heart of those telling the story that makes it difficult to pick a side. And there’s a beauty in that – it shows that war isn’t a thing of the masses, but that of the individuals that make up the world and the battle, what they risk and why.

Seven Forges

Moore’s writing completely transports, his characters are fantastically fantastic, and the tension he weaves through it all is expertly done. Oh, and the twists? You’ll love those too. There are few authors I read where I wish I could write as well as them, but James A Moore is one them.

I can’t recommend this series enough. If you’re looking for fantasy on the darker side of things, and a magic system and gods that mess with any preconceived ideas you have, then you can’t go wrong with City of Wonders, let alone the whole Seven Forges series.

 The Blasted Lands

Special shout out to the cover artist for all the books, too. I don’t at all subscribe to the adage: Don’t judge a book by its cover. That’s bullshit. If you’re a print-reader like me, covers are what make you pick up a book, and the covers for all the books in the Seven Forges series are just gorgeous, and perfectly capture the characters they depict, and the world in which they live.

Book four, The Silent Army, has just been released, and while I’m desperately looking forward to reading it, part of me wants to hold off, to prolong this series for as long as I can. The world Moore has created is one I’d happily spend a long, long time in. And if that’s not the mark of a great storyteller (and books), I don’t know what is.

On a Goodreads scale, I give this five stars… big gold ones ten feet high.

five stars

Festivus Book Pimping – SNAFU series

For your military horror dining delight, I bring you a big, fat course of SNAFU for your Festivus feast. Sit down, strap on (easy) your kevlar, and lock’n’load – it’s about to get messy. SNAFU (Situation Normal All Fucked Up) is the series put out through Cohesion Press that covers different takes on the military horror theme.

I’ve been lucky enough to be involved from the start as one of the co-editors of the series (with Geoff Brown), and having the pleasure of working with some truly amazing storytellers, both established and up-and-coming, and from here and overseas.  But more than that is the calibre of stories on offer.

Cohesion has four SNAFU anthologies currently on the market – two print/ebook and two ebook-only offerings. All of the anthologies have brilliant Dean Samed cover art, with internal art supplied by the wonderfully-talented Monty Borror. This is seriously good monster art – you won’t want to miss it.

SNAFU 1

Let’s begin with the first in the series, the entre: SNAFU: An Anthology of Military Horror. War is hell, and this offering was Cohesion’s first foray into the military horror theme, and garnered a Bram Stoker Recommended Read and finalist for the Australian Shadows Award (edited publication), thanks to the talented writers.

Next up for tasting in the series is SNAFU: Heroes, which offers novellas and short stories from Jonathan Mayberry, James A Moore, Weston Ochse and Joseph Nassise. As the blurb says: ‘From demons to horrors from the deep, the battles keep on coming. Fight or die…’

SNAFU Heroes

SNAFU: Wolves at the Door, is the next to the table, where you will share your meal with… my, what big teeth you have! This ebook tells the tales of soldiers fighting against all manner of were-animals – wolves take precedence in this instalment, but the diversity is staggeringly good. Stories with bite! (How could I not say it?)

And check out the cover art…

SNAFU Wolves

But wait, there’s more! The next in the print series is SNAFU: Survival of the Fittest, which was released in August this year. This is survival horror where every bullet counts. Low on ammo, this is about soldiers trying to make it out alive against nightmares made real. And damn, if these authors don’t know how to wrangle some nasty enemies for their squads.

SNAFU Survival

There are two more in the series on the horizon; I’m currently working on SNAFU: Hunters (think Grimm, Van Helsing, ‘Supernatural’s’ Sam and Dean), which will be published early next year. This SNAFU is all about the hunt, the thrill of the chase, and the uncertainty of outcome. Then there’s SNAFU: Future Warfare – military horror with a sci-fi bent (yeah, you know you want that!), which is due around mid-year. So keep your eyes and ears open for these, kiddies… well not literally kids, ‘cause unless you’re willing to shell out cash for some serious therapy, these books aren’t for them.

The beauty of the SNAFU series is that stories cover the gamut of historical to modern warfare; from Viking raids, the World Wars, Vietnam, Korea, Afghanistan… and all time periods and locales. And if you think you’ve read of every monster out there? Think again, my friend, oh yes, think again. There’s a diversity here that will keep you (or those you’ve gifted these treasures to) turning the pages.

Recommended for anyone who loves military stories, military horror, supernatural horror, straight messed-up horror… you get the picture. They’re brutal, they’re bloody, they’re awesome.

Festivus Book Pimping – James A Moore

Yes, yes, I’m a bit late with the next instalment of Festivus Book Pimping, but I’m going to try and get as many authors/books pimped before I head away next week for my Christmas break.  So, next up on the Festivus altar is another overseas author, all round nice guy, and hell of a writer, James A Moore. Round of applause!

Now Jim has quite a backlist of novels and short stories, all of which you should read. But today I’m going to focus on the fantasy series I’m currently reading: The Blasted Lands, published through Angry Robot. I’d been meaning to get these books for a while, but my laziness worked in my favour, with the latest book (third in the series), just released.

The series begins with Seven Forges, and the introduction to two races of people – those from the Empire of Fellein, and the fantastical, half-forgotten, and oh-so mysterious Sa’ba Taalor. And it’s those of the Blasted Lands that really held my attention – Drask Silver Hand, Swech, Tusk and their gods (and their magic), are vastly different from anything I’d read, and I was so very taken with them. Hell, I couldn’t get enough.

Seven Forges

Told from the viewpoints of the major characters of Captain Merros Dulver, the Emperor, Desh – the emperor’s sorcerer, and those of the Sabar Taalor, you get to experience the lives and fears, the cultures and impending war of the two races. Moore handles it masterfully, and I couldn’t wait to get into the second book.

The Blasted Lands follows up with action, betrayal, amazing magic, gods and rituals, and a final understanding of why the Sa’ba Taalor hide their faces from those outside the Blasted Lands (and damn impressive this is). War is coming. Not if, but when, and the people of Fellein… well, it ain’t looking good. As a second book, they can sometime fall flat, but Moore just amps it up, and I flew through this reading as well.

The Blasted Lands

City of Wonders is next, and while I’d love to tell you more about this one, I’m only three chapters in, but I’m hooked and wondering how I can steal time so I can read more. There’s a fourth in the series that Moore is currently writing, and I’ll be first in line to buy that baby.

Oh, and a shout-out to the cover-artist of these books – they capture the characters perfectly, and are just gorgeous.

City of Wonders

Now I can’t have you leave without telling you about one of my favourite of Moore’s characters, Jonathan Crowley. There is many a story with the dark Mr Crowley, and I’ve had the pleasure of being the editor of a couple of Crowley stories in the SNAFU series put out through Cohesion Press. Crowley is a monster hunter, and quite possibly a monster in his own right, but damn if he ain’t fun to read. Moore’s Crowley stories are more supernatural horror, and one of my favourites is the short story, Cherry Hill. Addictive, this character is, and I’m always happy with a new Crowley story.

Oh, and I’ve just finished editing a new Crowley story for SNAFU: Hunters, and it’s a cracker!

Recommendation:

For the Blasted Lands series, anyone who loves epic fantasy, dark fantasy, magic and monsters and mayhem, oh my!

For the Crowley books, anyone who loves supernatural horror, horror, dark fiction, and monsters straight from your nightmares!

Festivus out!

2015? We Need to Talk…

Aah, 2015, how’d you arrive so quickly? Well you’re here now, so let’s get one thing straight, I have some damn high expectations forthcoming, so if you could not rush through this year as you did the last, that’d be great. Not that 2014 sucked by any stretch of the imagination, but I’ve set goals (note: that’s goals not resolutions) that I will reach, and strict regulations on my family/work/writing time management.

2014 was very business-oriented, with most of my time taken up with editing – don’t get me wrong, I love what I do; working with other authors… there’s not a lot that beats that!. This year, however, I will be much stricter with my working hours and my ‘no working weekends’ policy.  Still, business is good, and the authors I worked with last year were most inspiring. Writers rock!

I also had the pleasure of being a co-editor on the SNAFU series with Geoff Brown, the owner and editor in chief of Cohesion Press. SNAFU: An Anthology of Military Horror, and SNAFU: Heroes have both been released to strong sales, but more importantly, kick-arse reviews. SNAFU: Wolves at the Door, will be released this month, and as with the other SNAFU anthos, there are some truly amazing stories within, both from established writers such as James A Moore, and some new writers you definitely need to keep an eye on.

SNAFU Wolves

As for last year’s reading (I’m talking for pleasure, here, not work), I kicked 2013’s arse. Twelve novels and two short story collections, which I plan to beat this year as well. I’ve a review coming for the last collection I read, and am already well into the first novel for this year.

Writing wise… well, this had to take a bit of back-seat. I finished the script for for my comic, ‘The Road’, and the uber-talented Monty Borror has finished the art – I can’t begin to put into words how Monty has captured my vision for the comic, only to say that I am extraordinarily humbled as well as mind-blown by the man’s work. Lettering will begin soon, and the comic will be launched at Melbourne ComicCon in June through Cohesion Comics. (Watch out Melbourne, here I come! Ahem…)

road page 29

I wrote one short story last year, which was short-listed for a pro-paying market (that’s a win for me), but most of my writing was taken up with the first draft of my novel. Things there are progressing a lot slower than I’d like, but I have plan, and six weeks to get it done. And get it done I will. Then it’s rewrite time! I’ve also set a short story goal of four for the year, all to be subbed to pro markets. (See 2015? Goal-motivated  – don’t be screwing with me and start messing with time.)

So 2015, I’m taking no prisoners and you’d better be on board. Don’t make me get all stabby with you.

Situation Normal, All F**ked Up

SNAFU: An anthology of Military Horror is out in the world! This massive tome, put out by independent Australian publisher, Cohesion Press, is the first in an annual military-themed antho. When owner and editor in chief, Geoff Brown, got in touch and asked if I’d like to be involved, I responded with a hearty HELL YES.

It’s been a good couple of years since I’d worked on an anthology (the last being Midnight Echo Issue 8) and I’d forgotten how much I enjoyed working with a slew of authors to weave a theme through their stories. And what a kick-arse bunch of stories they are. While I was only involved on the editing side of SNAFU, with over a thousand submissions, Geoff Brown has done a remarkable job in his choices for the anthology, and the stories within are a testament to the writers themselves. There are some cracker tales in this book, covering all manner of conflicts, time periods, and monsters. Ooh, we can’t forget the monsters! There’s a plethora of ghosties and ghoulies, born right out of your nightmares.

SNAFU cover art

With a veritable who’s who of the genre, there are stories from best-selling authors Greig Beck and Wes Ochse, plus a gritty Joe Ledger story from the master Jonathan Mayberry, and if you’re a fan of James A Moore (that’d be me), there’s a new Jonathan Crowley novella inside. But it’s not just about the big names, the stories from all the authors in this anthology are fantastic and I had a great time working with them and their tales – it was real pleasure, and if this is the mark of authors moving through the ranks, then the publishing and reading worlds are the real winners here.

The ToC is below, and if you’re looking for a great read, you really can’t go past SNAFU:

Blackwater – Neal F Litherland
Little Johnny Jump-Up – Christine Morgan
Covert Genesis – Brian W Taylor
Bug Hunt – Jonathan Maberry
Special Operations Interview PTO‑14 – Wayland Smith
Cold War Gothic – Weston Ochse
Making Waves – Curtis C Chen
The Fossil – Greig Beck
A Tide of Flesh – Jeff Hewitt
Death at 900 Meters – Tyson Mauermann
Holding the Line – Eric S Brown
Thela Hun Gingeet – WD Gagliani and David Benton
The Shrine – David Amendola
Ptearing All Before Us – Steve Ruthenbeck
A Time of Blood – Kirsten Cross
Blank White Page – James A Moore

And for those of you wanting to write some military-based horror? Keep your eyes on Cohesion Press for the next call for submissions.