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AUTHOR SPOTLIGHT, Cool stuff, publishing, Reading, SNAFU

SNAFU: CONTAGION AUTHOR SPOTLIGHT – BENJAMIN SPADA

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Look who’s back in town!

Not only our next Author Spotlight, but the man behind it. Benjamin Spada is currently squatting in Australia. We’ve allowed it. He writes good stuff. Ben’s up north a-ways for a time. It’s hot and there are crocs (the reptilian kind, not the shoes), so we’ve given him temporary Aussie-status while he’s here. If he correctly applies the ‘yeah-nah’ and ‘nah-yeah’ patois, we’ll stamp him Aussie good and proper.

But I digress (I do that a lot).

Some readers might be familiar with Ben as he’s written a few stories for Cohesion Press’ flagship series SNAFU, and he upped the ante with his tale for SNAFU: Contagion (which you can pre-order here).

Right, so now my little introduction is done, we’ll let Ben introduce himself and all that he’s about.

Born and raised in California, Benjamin Spada had a lifelong passion for storytelling.

He is a dedicated taco aficionado, self-described ‘Professor of Batmanology’, proud Fil-Am and lumpia enthusiast, and has made a career as an officer in the United States Marine Corps. He has been a Martial Arts Instructor, been assigned as a Section Leader in the Wounded Warrior Battalion for our nation’s wounded, ill, and injured, and served overseas to train our foreign military allies in defense against chemical, biological, and nuclear weapons. He has trained Marines, Sailors, Federal Agents, and other friendly forces in individual survival measures for everything from nuclear attacks to deadly nerve agents. Despite these grim assignments, he has carried on with equal amounts of sarcasm and stoicism.

When out of uniform, Benjamin is an avid sci-fi and horror movie fan, tattoo collector, comic enthusiast, and two-time holder of the Platinum Trophy in Elder Scrolls: Skyrim.

Benjamin lives with his wife and their four daughters in Oceanside, California.

Ben’s oblation for SNAFU: Contagion is: A CASE OF THE GIGGLES: They say laughter is the best medicine, but in this case, it’s fatally infectious.

You can find Ben on Facebook, Instagram, Twitter (the now stupidly-named X), and his website.

Want to read more of Ben’s work? (You really should.) He has two books available in his Black Spear series: FNG and The Warmaker. His third entry in the series, Project Darkheart, is due for release this upcoming January.

Get it in your eyeballs!

AUTHOR SPOTLIGHT, Editing, publishing, Reading, SNAFU, Writing

SNAFU: CONTAGION AUTHOR SPOTLIGHT – MARTIN LIVINGS!

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Hola!

The countdown for the release of SNAFU: Contagion has begun! And in the lead-up for the October 31 spawning, Cohesion Press is gonna fan-girl (yes, Geoff too) our way through the amazing authors who’ve made Contagion what it is – fucking awesome! (Yes, I do the swears. They’re verbs.)

With SNAFU: Contagion being the biggest edition to date of our flagship series with over four hundred pages of kick-arse military horror and wickedly-cool monsters, there’s much for you to sink your teeth into (toothpicks not provided). And as per my previous post about this tome being nothing without its storytellers, the first of our Author Spotlights is here.  

(Just a quick note: the order of the Author Spotlight doesn’t reflect the Table of Contents order – this is more your author lucky dip… and I may just have to rethink that phrasing…)

Ahem.

So.

Making their way to the stage is the first of our Australian authors. So, please give a hearty welcome to MARTIN LIVINGS!!!

Perth writer Martin Livings has had over a hundred short stories in a variety of magazines and anthologies both locally and internationally. His first novel, Carnies, was initially published by Hachette Livre in 2006, and was nominated for both the Aurealis and Ditmar awards, and his short story – collection, Living With the Dead, was published in 2012. Both are now available from Amazon, along with the follow-up collection Light Falling From a Long Dead Star, novellas Rope and The Final Twist, along with his novels Skinsongs, Sleeper Awake, An Ill Wind, The Temp and The Obituary.

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Martin’s sacrificial offering to SNAFU: Contagion is MOLOTOV ANGELS: What malignancy burns deep in the cold heart of Afghanistan?

You can find Martin on Facebook and Instagram and over at his website.

Martin’s horror novel, The Obituary, was released (or escaped!) earlier this year, and is a steal at just 99c on Amazon.

Go read his stuff!

Editing, publishing, Ramblings, Reading, SNAFU

A LITTLE BIT OF SPRUCING AND A TOUCH OF CONTAGION

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<<clears out cobwebs; side-eyes spiders as they pack their bags in a huff (that squeal wasn’t me, I swear…)>>

<<dusts bookshelves, trying not to summon demons (it’s touch and go)>>

<<taps mic, winces at feedback, *sighs*, assesses life choices>>

<<TAKE TWO!! (Shh, that other post was a figment of your imagination…)>>

Well, it’s been a while, folks. Had a crazy-busy year with much happening on the home and work front. Also, how is it almost October already? Someone is most definitely stealing my days (months, they’re stealing my months.)

As someone who is particularly shite at social media, this was one of the easiest things to let slide this past year (gotta say, it did wonders for my stress levels, but that’s a post for another day). That being said, I’ve put on my big-girl pants because SNAFU: Contagion from Cohesion Press is coming out at the end of next month, and I’m immensely proud of the authors and the stories within… not that we’ve trapped the authors inside the pages – I’m pretty sure that’s illegal (and I don’t have the right alchemy).

It’s been quite the ride to get to this point, more so this time around as we had to factor in audio-processing time, and with a slush pile that was filled with plethora of incredible stories, it had the decision-making process one of the most difficult in the SNAFU series to date.

(Oooh, look! Shiny new cover! Like, the right one this time. Shh. It’s been a long day…)

This is reflected in the size of the tome. SNAFU: Contagion is packed with eighteen stories, coming out at over a whopping 400 pages. Yep, you read that right. Over. Four. Hundred. Pages. This baby packs a punch! (And much pew pew pew!)

This is the biggest SNAFU of Cohesion’s flagship series since inception, and we’re extremely chuffed to have a Joe Ledger Adventure Tale from the esteemed Jonathan Maberry, that features the one-and-only Mr Church, and the kick-arse Grace Courtland. Alongside this novella, are amazing stories from authors around the world: Australia, Germany, US, UK, Belgium, India… it truly is global.

In the lead-up to release, we’re going to Author Spotlight our amazing writers so you can get to know them a little better, see what they’re up to on the writerly-front, and have them give you a little somethin’ somethin’ about the SNAFU tale they penned for us. Without our authors, there is no book, and we can’t thank them enough for entrusting their stories to us, and allowing us to present them to you all.

So, starting in October, this blog will get quite the work-out as we introduce you to some new names while getting you reacquainted with a few of our stalwarts.

You can pre-order SNAFU: Contagion here, and if you’re not familiar with the series and want to see what it’s all about, you can go to Cohesion Press’ website, and sign-up for the newsletter (we will not spam you, we understand how that can suck), and you’ll get a free copy of SNAFU: Comms, which is only available on sign-up. No pressure, of course. But… free book!

With that out of the way, all I can say is that with SNAFU: Contagion, you’re in for a hell of a ride. So, lace up your combat boots, prime your weapons, make sure your gas masks are secure and sealed…

…We’re about to breach…

Reading, Reviews

Review: The Empress of Salt and Fortune by Nghi Vo

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Wow, where to start with this novella? The easiest part: I fucking loved this tale!

I read The Empress of Salt and Fortune by Nghi Vo over three nights, and I was enamoured with it. There is so much to love about it: the divine prose, the evocative imagery, the characters (both current and historical), but most of all, how it resonated with me both during the reading and afterwards.

Someone referred to the book as a ‘gift’, and they’re not wrong. It reminded me of the party game, ‘pass the parcel’ where each layer unwrapped lay a gift, only this time all the gifts were for  me, and there was one on each turn of the page. Each of these a clue to what was coming, taking your mind and imagination to both wonderful and heart-wrenching places. There are lines throughout that will stay with me always.

‘…the war was won by silenced and nameless women.’

It’s a story about war, history, upheaval, friendship, a story about the place (or no place) women have in this world and the strength and courage we all have to forge that path anew. It’s an ode to these strong women, these strong people, who break the bonds that shackle them in the most subtle and powerfully resonant ways.

This is a feminist tale, regaled by the elder, Rabbit (sold by her parents to the palace), to nonbinary monk Chih through a series of vignettes where history is not so much told, but actively learned. Chih and her hoopoe companion, Almost Brilliant, are the living memory of the world, wanderers gathering history before it’s lost amongst the detritus of time. It’s the story of Empress In-yo, forced into marriage for an alliance, then banished after providing the emperor a heir, she refuses to go lightly into that dark night.

‘…angry mothers raise daughters fierce enough to fight wolves.’

It’s not just In-yo’s story, but Rabbit’s as well, and the threads that bind both empress and handmaiden was a joy to uncover as Rabbit slowly peels back the pages of her life and that of the woman who changed it and her forever.

I cannot recommend this book enough, and while it is a novella, I would happily have read an entire novel set in this world.

Empress of Salt and Fortune

Eleventy stars.

And that cover? Oh, how I love that cover! This is the sort of cover art that has your books forward-facing on the shelves.

 

 

 

Festivus, Ramblings, Reading, Reviews

Festivus Book Pimping – City of Lies by Sam Hawke

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The next book to be Festivus Pimped (so a thing) is by the wonderful Australian author Sam Hawke. Her debut novel, City of Lies (Tor Publishing), is the first in the Poison Wars series but operates as a standalone. And what a brilliant read it is… and has a hellof a first line: ‘I was seven years old the first time my uncle poisoned me.’ 

Blurb:

Outwardly, Jovan is the lifelong friend of the Chancellor’s charming, irresponsible Heir. Quiet. Forgettable. In secret, he’s a master of poisons and chemicals, trained to protect the Chancellor’s family from treachery. When the Chancellor succumbs to an unknown poison and an army lays siege to the city, Jovan and his sister Kalina must protect the Heir and save their city-state.

But treachery lurks in every corner, and the ancient spirits of the land are rising…and angry.

While City of Lies sits firmly in the fantasy genre but it’s the murder mystery that drives this story, and it’s quite the suspect list. Let’s not forget the political machinations once the chancellor is murdered. With the city under siege and the enemy closing in, time is running out to find the killer (or killers) and save the Heir from being next on the hit list. Hawke’s world-building is grand in scope yet intricately detailed, and even though most of the story is set within the city’s walls, the world is completely realised.

And oh, the chapter separators. Each new chapter is preceded by a poison (usually plant-based) with an illustration and description of its properties. Due to the ‘whodunnit’ style of the story, these little titbits of information have you guessing as to which was used to kill the Chancellor, and whetherJovan will succumb to a poison for proofing the food for the now Chancellor of a besieged city set with assassins unknown.

City of Lies is a big book, sitting at just over 500 pages, but the skill with which Hawke tells her tale, it is by no means a laborious read. The characters are fully fleshed out, relatable, and with both Jovan and Kalina dealing with personal/physical limitations (Jovan with OCD and Kalina with chronic health issues), the reliance on each other, the skills they’ve acquired and their honour-bound duty to protect the chancellor and his heirs, adds extra depth to the storytelling.

It was a hell of a read, intricately plotted and with a satisfying end that tied up its threads nicely.

Recommended for fans of fantasy, epic fantasy, mystery, political shenanigans, murder mystery.


Art, Cool stuff, Life and stuff, Ramblings, Reading

Con Magic

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It’s been four days since Supanova Sydney packed up, and I’m sufficiently recovered to write a little somethin’-somethin’ on why conventions are not just fun but necessary. When I was a kid, there was no real gathering place to get your geek on. Sure, there were comic book stores a-plenty, but most didn’t want you hanging around all day after you’d spent your meagre pocket-money on the latest edition of Wonder Woman, Batman or The Tomb of Dracula and the like.

Relegated to the back carpark of the local council while we read and traded and talked all things comics as we skateboarded, it was the closest thing to a ‘con’ we had. And we revelled in it. Halloween wasn’t a thing when I was kid, so the opportunity to ‘cosplay’ was rare to non-existent.

Fast forward more years than I care to admit, and the culture is celebrated in all its glory – it’s a wondrous thing, filled with joy and excitement and acceptance. Yes, there are still issues with misogyny and inclusion and consent, but overall my con experiences have been positive (I’m aware this is not the case for all).

While the last few years I’ve been herding cats… sorry, my kids and their mates through conventions such as Supanova and ComicCon, this year I was on the other side of the Supanova table helping kick-arse author Devin Madson hawk her book-wares, and specifically her new book We Ride the Storm. As you can see by the table display below, the artwork is amazing (book covers matter, kids!), and the stories within are just brilliant.

devin table

The great thing about being on the other side of the table – apart from being surrounded by amazing artists (which we were) – is chatting with people about their love of books, of stories, of the art of writing and how much the tales they read and the characters they discover are very much a part of them. As someone who has a passion for both writing and editing, seeing that same passion in readers, of those who want to be writers, is an incredible thing to be a part of. No back carparks for these folks, they are out and proud in the geekdom, and it lifts the soul.

Cons allow writers to indulge in our love of all things books, to reunite with ‘our people’, and I even managed to scarper over to Alan Baxter’s table and pick up the promised books (The Book Club, Manifest Recall, and Hidden City), all signed, of course. And got to side-eye Raymond E Feist who was sitting next to Al – the line for Feist’s signature is definitely something to aspire to!

I also picked up issue #1 of Melbournian artist and writer, Mark Sheard’s, new comic The Flower of Rhode, plus a set of six funky coasters he’d made – of course I need funky coasters to rest my coffee mugs on. And I watched on as he created new characters for the next issue of his comic. The man has talent to spare.

Yet it’s the fans, those who love everything about books and comics and gaming and movies, of art and artists and the incredible creations found in Artists Alley that make the cons what they are – they’re the heart of fandom, who make creators keep creating.

We met kids scouring local author tables looking for their next read, we spoke to book lovers and voracious readers, and chatted to an ex-MMA fighter who proudly showed the dress he’d sewn for his daughter (in two days!) and was specifically looking to buy from Australian indie writers as a way of support – he was an awesome human.

We saw Deadpools and Doctors, Wonder Women and Wonder Men, Jedis and Stormtroopers and all manner of Darths. There was anime and My Little Pony, Aliens and Ripleys and Lara Crofts, superheroes and villains and a horde of Vikings that truly took it to another level. Everywhere you looked was another amazing outfit, another intricate piece painstakingly hand-made. Not once did I see a kid turned away from wanting their photo taken with a character, not once did I see someone mocked for their attire – it was a delight.

But I think it was best summed up by a grandmother I was chatting to while we both waited on our caffeine fix, and who was attending her first con with her grandchildren. Her eyes sparkled as she looked around at everything, her lips spreading wider in smile as her gaze lit upon the elaborately hand-made cosplay of ‘Big Daddy’ from Bioshock.

“It’s magic,” she said, her whisper filled with wonder. “In a world sorely lacking it.”

She’s not wrong.

Cool stuff, Festivus, publishing, Reading, Reviews

Festivus Book Pimping: In Shadows We Fall by Devin Madson

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It’s time! Festivus Book Pimping for 2017 is here! Damn right I’m excited. This is where I get to pimp the books I’ve enjoyed this past year, give you some recommendations, and hopefully have you fine folk make an author very Festivusy (so a word) by buying their book. It’s a win-win! Or… a win-win-win, perhaps.

Kicking the Pimping of the Books of the Fesitvus off is In Shadows We Fall by Devin Madson. This book is a novella-length prequel to Madson’s Vengeance Trilogy (pimped here), there are no spoilers for those who have read the trilogy, and you don’t need to have read VT to enjoy this tale. And enjoy it you will.

Madson has a knack for creating characters that are not only well-rounded but also on the grey side. While this book skirts the boundaries of full-on grimdark, it so beautifully dips it toes into the genre that if you’re a fan of stories that blur the lines between light and dark then this tale is definitely one you should pick up.

Set in a pseudo-feudal-Japanese world, the Kisian empire is on the brink of war, held together by fragile threads. Nothing is ever what it seems in Madson’s books, and she doesn’t disappoint here. The language is beautiful, the rituals and ceremonies befitting when gods sit on thrones. The Eastern-flavour of this universe is refreshing, and the setting and imagery comes to life on the pages.

Blurb:

You will die. Your children will die. The empire will burn,

Empress Li is out of favour at court. Foreign-born and past her prime, she is to be set aside. But she won’t go quietly. With nothing left to lose, Li will do anything to stop Emperor Lan signing a secret alliance that could tear the empire apart. Yet when her life is threatened, old mistakes come back to haunt her and only a three-year-old boy can change the course of history.

With everything at stake, could an innocent child be the best assassin.

Shadows

 

And you can’t go past that cover. This is original artwork created for In Shadows We Fall, and artist John Anthony Di Giovanni has produced a thing of beauty that captures the essence of Empress Li. There’s always something special about covers that contain original artwork, and Madson’s cover is why.

On a Goodreads scale, I give In Shadows We Fall five stars.

Recommended for readers of fantasy, dark fantasy, political intrigue, stabby-stabby, killer magic systems.

You can read In Shadows We Fall free if you sign up to Madson’s newsletter (an ebook copy of the story will be sent to you).  You can also purchase ebook and print from the website here, or you can purchase from Amazon or wherever you buy your reading.

Cover art: John Anthony Di Giovanni

Cover design: Shawn King

Cool stuff, Festivus, Reading, Reviews, Writing

FESTIVUS BOOK PIMPING COMING SOON

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Yes, folks, we’re edging toward that time of year. If you’re like me, the idea of heading into those outside places with those outside people and running the gauntlet of shoppers as I try to find gifts, brings not so much Christmas cheer, but Christmas jeer. Or beer. Yeah, beer would be good.

Aaanywho, for those of you who are readers, or know readers, or love readers, or can’t think of a present for a family member, a friend, a work colleague, or even your drunk Uncle Dave, fear not! From December 1, I will be reviving Festivus Book Pimping. 

As the name suggests, I will be pimping books I’ve read* and those I’ve worked on, and giving a small breakdown of what each entails, and who they’d suit. Be warned, though, if it’s romance you’re after… well, at least you’ll get to see some great covers.

Books are amazing gifts. They ignite the imagination, they can take you to different worlds, and have you live different lives. And as a present, there’s not much better than that. Except kittens. And puppies.**

All right, buckle up mofos, Festivus Book Pimping will be landing soon!

book imagination

* This is not a call out for reviews or ‘read my work!’ ‒ stay classy, people.

** Kittens and puppies are for life, not just Christmas ‒ don’t be that asshat.

Life and stuff, Novel, Ramblings, Writing

Writers, Retreats, and Insane Asylums

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It’s been just over a week since I returned from a Writer’s Retreat held at Mayday Hills Lunatic Asylum at Beechworth. Yep, you read right – a writer’s retreat held at an old insane asylum. It was as awesome as it sounds. Five days sequestered with other writers in a hauntingly (and quite possibly haunted) beautiful asylum is the stuff of inspiration. And personing. I did a whole lot of personing.

What made this doubly excellent was the other writers in attendance, all but one of whom were very close friends, so it was a catch-up of epic proportions. This also meant that we were all comfortable throwing around ideas and points of view, and engaging in general shenanigans. But we were there to write, to have that uninterrupted time some of us seldom get when at home. And it was glorious.

Writing is often a solitary endeavour where you live in your created worlds among created people. But put a bunch of writers together, and it’s a whirlwind of book discussions, plot summaries, story ideas, and why synopsis writing is the tenth circle of Hell. There’s joy in this cacophony; the rise and fall of voices, the quirks and strange paths conversations take that would make no sense to non-writerly folk but which feeds the soul and the muse of those who bleed ink. They will tell you why your story necessitates the killing of a character (beloved or otherwise) then offer a plethora of options on how to do so that would land them on any federal watchlist.

Just being among fellow scribes is enough to invigorate, enough to drown out that writer-imposteritis but we were also fortunate enough to have the wonderful pocket-rocket Kylie Chan providing workshops all through Saturday, which were fantastic, but always there was time to write. There’s not a lot better than sitting in a nicely heated room listening to the clack of keys in the silence as worlds and people are created – individual galaxies within a shared universe. It’s kinda cool.

But when we weren’t writing, there were historical tours of the asylum, and one very late night there was also a paranormal investigation. As much as I would have liked to go on the paranormal investigation, when it’s -4˚ outside… well, I’m staying where the heat is. Those that took up the challenge had a great time despite the sub-zero temps.

We ate, slept and created together… wait, let me rephrase. Look, we bunked down in the same room, wore pretty much all the clothes we’d brought with us when it was time to venture outside – hell, I even wore my slippers out to dinner because damn it was cold. We took the piss out of each other, we laughed, and we revelled in our own and each other’s weirdness.

And the location was everything. The asylum has a melancholic beauty about it.  The history is both shocking and sad, with desolate and worn-down buildings that hold memories that are like scars. For my mind, pain and suffering has a tendency to linger, to echo long after people are gone, and I don’t doubt there is fear and horror etched into some of the walls, the cells of the asylum.

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Too soon the time was over, and I had to take a tiny plane home, but those five days were like manna from heaven. I came away with so much more than just a honed story premise and structural architecture (and glow-in-the-dark skeletal gloves), but a renewed vigour for writing. I can’t wait to go again next year. And I can’t thank all the people involved enough, but let me try.

To Geoff and Dawn for organising and running the reatreat – you two work immensely hard not only on Asylum Ghost Tours but Cohesion Press as well. You two rock. (Special shout out to Mandy and Leah for all they did over the five days as well.)

Now I’m going to list the writers at the retreat – they are an amazing bunch and you really should be reading their work. They’re incredible and diverse storytellers, and there should be something in here for everyone.

Kylie Chan

Devin Madson

Marty Young

Andrew McKiernan

David Schembri

Fiona Shearer.

And for all those writers out there, find a retreat, a place that evokes inspiration and puts you around others who not only share your passion to create, but will encourage and badger you to do so.

Reading, Reviews

Book Review: Norse Mythology by Neil Gaiman

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Now for a change of pace. Yes, it’s book review time, and up on the blocks is Neil Gaiman’s latest offering: Norse Mythology. I have to admit, I was truly excited for this signed copy to arrive, like stalk-the-postman-excited (sorry, Kev). Mythology has always held a special place since I was a child. There were gods and monsters and battles and magic ‒ many-legged beasts and winged deities, muses and fates… so much wonder and woe. It was the playground of my imagination, both glorious and treacherous.

The Norse mythos is also one of my favourites – the gods are fallible, and they make no excuses for who and what they are. Gaiman, too, has used mythos in a lot of his work, American Gods (arguably one of his best) delves deeply into the role of gods both old and new, and those who have read it know exactly who Mr Wednesday is. So it really wasn’t a surprise that Gaiman decided to pen a retelling of the Norse mythos in his own words, expanded upon and tweaked somewhat.

Unlike my other book reviews, there’s no need for a spoiler warning here – this is known ground Gaiman’s covering. Which leads to my next question: why? I thought long and hard about this question, as there’s nothing really in Norse Mythology that you couldn’t find in The Edda. Sure, Gaiman has put his spin on it, but… that’s pretty much all you’re getting.

Look, don’t get me wrong, it’s a beautiful-looking book. That cover is sublime, and the print edition is top quality (gotta love those matt covers) and looks wonderful on my bookshelf – yes, even with just the spine showing. The writing is solid, the storytelling pure Gaiman (along with the humour and wit), but at times it did strike me as rather self-indulgent. Thing is, I’ve read The Edda, and that may be the issue I have with this – the source material is divine.

Norse Mythology

When I got to the end of Norse Mythology, I wasn’t sure how I felt about it. I didn’t hate it, but I couldn’t say I loved it either. What I did recognise, however, was its use for those who are testing the waters of Norse mythology and wondering whether it’s for them (it is, I’m just sayin’), or even just wondering what the fuss is all about. It’s the perfect introduction to the mythos, to those greater tales – the sagas – that so beautifully bring to life the Norse and their gods and goddesses, their giants and their beasts, of Fenrir and Sleipnir, and Gjallarhorn of Ragnarok.

Perhaps it’s for those who watch the series ‘Vikings’ (which I love), and want greater understanding of the role the gods and goddesses play in that universe. And if it’s a stepping-stone to someone wanting to read The Edda, then I’d say Norse Mythology has done its job.

There’s really not a lot else I can say about it. Was it truly awful? No. Did I enjoy it? Somewhat, I guess. And I think that’s where the real issue lies. There’s nothing… outstanding about it. Someone who has no real knowledge of the Norse mythos may have a different take on it; Norse Mythology is easier reading than The Edda. Maybe that was Gaiman’s idea behind the book, to make it accessible, to entice readers unfamiliar with the sagas to step into that world and explore. Maybe. I don’t know. Like I said, it does come off a little self-indulgent, but that could be just me.

The cover is beautiful though.

On a Goodreads scale I give Norse Mythology three stars.