Tag Archives: Australian authors

SNAFU: PUNK’D AUTHOR SPOTLIGHT: GREG CHAPMAN

Ooh, the next edition of SNAFU: PUNK’D is so very close to ‘sploding into the world. So, we at Cohesion Press would like to lead you down the horror-filled paths of our storytellers’ dark imaginings with a tease of their tales, a glimpse into their abyssal corners of their grey-matter, and information on their other authorly shenanigans.

Please grab a torch from the table, ensure all your valuables are secured, and for the love of all things unholy, do not pet the authors…

Next up in SNAFU: PUNK’D author spotlight is GREG CHAPMAN!

Two-time international Bram Stoker Award-nominee®*, Greg Chapman is a horror author and artist based in Queensland, Australia.

Greg is the author of several novels, novellas and short stories, including his award-nominated debut novel, Hollow House and collections, Vaudeville and Other Nightmares, and Midnight Masquerade.

He is also a horror artist and his first graphic novel, Witch Hunts: A Graphic History of the Burning Times, (McFarland & Company) written by authors Rocky Wood and Lisa Morton, won the Superior Achievement in a Graphic Novel category at the Bram Stoker Awards® in 2013.

He was also the President of the Australasian Horror Writers Association from 2017-2020.

* Superior Achievement in a First Novel for Hollow House (2016) and

Superior Achievement in Short Fiction, for “The Book of Last Words” (2019)

For SNAFU: PUNK’D, Greg has sprinkled his cyberpunk tale with some biopunk to give us A GLITCH IN THE SYSTEM: When a soldier’s soul is ripped from the Afghan desert into a nightmarish hellscape to entertain a conglomerate, she sets out to tear it all down

You can find Greg on his socials below:  

Facebook: https://www.facebook.com/GregChapman.Author/

Bluesky: @gregchapman.bsky.social 

Instagram: @gregschapman76

Threads: @gregschapman76@threads.net

Greg’s new collection, Midnight Masquerade is out on October 31 – https://www.amazon.com/Midnight-Masquerade-Greg-Chapman-ebook/dp/B0CDKXQFZ3

The Thing About Shorts (the stories, not the pants)

I adore shorts. It’s where I honed my skills as a storywriter, and where I continue to hone them. I’m time poor when it comes to writing, with my days filled with client editing—which I love, don’t get me wrong; but to feed that part of my creative soul, I tend to concentrate on shorts (yes, the stories, not the pants).

There’s a real challenge in creating a complete tale within a limited word count, and not just a complete tale, but an engaging one. A tale that drags the reader in and leaves an indelible mark. To have a story we’ve penned, linger, is something for which every writer strives.

That doesn’t mean writing shorts is easy. It ain’t. Especially with tales that have to fit within the teeny-tiny side of word counts. Micro-fiction is its own beast, and she’s a harsh mistress. Every word needs to fight for its place, and it was quite the brouhaha with my latest tale, Of Hawks and Sparrows, published by Nightmare Fuel Magazine where the limit was 666 words. You read that right, just 666 words. I was up for the challenge. And hoo-boy, was it a challenge.

Artwork by Andrew J McKiernan for my story Nightmare’s Cradle (it’s beautiful and fits this tale too)

The theme for this sub-call was: ‘Love Has Teeth’. Quite broad ranging but that just opens a multitude of pathways begging for exploration, especially as love comes in all forms, from romantic to familial to platonic and everything outside and in-between. For me, it was more about the ‘bite’. What are we prepared to do for those we love? How far will we go? How dark will we descend for those who hold a place in our heart?

Of Hawks and Sparrows had been niggling at me for a month or so. I had a basic premise and about eleventy-million different ways it could play out. But my mind is sometimes like a browser with all the tabs open, and I was flitting from path to path until I saw the open call. Then, like a forced reboot, it all fell into place. Kinda. See, no matter how solitary the writing process is, we don’t do this alone.

So, a vomit draft later, and well over 666 words, I gnawed this baby down to its bare bones to see if the story made any kind of sense. And with the persnickety eye of my best friend and writerly cohort, Devin Madson (check out her storytelling, it’s amazing), I hit 666 words on a tale that not only made sense, but which hit all the marks I wanted. Dark, gritty, bloody. Much bite.

Eleven stories were selected for this online showcase of Australian writers, and you can go HERE to read all the shorts (yup, stories not pants!). With each read topping-out at around a minute each, if you’re as time-poor as I am, click that link for a free dose of horror. You can stuff your face with tales or take bite-sized morsels. Each story has its own take on the theme, its own flavour, if you will. Bon appétit!

Nightmare Fuel has also opened their next sub-window with the theme: ‘Don’t Let Them In’.

And yes, that’s a 666-word limit for stories and, as I mentioned above, the magazine is wanting to showcase Aussie authors, so this call is open for Australian citizens and residents only.

As I’m wont to say: read the guidelines, BE the guidelines.

Right, that’s one story acceptance for 2023, here’s hoping for more.

Note: No shorts of the pants kind were hurt in the making of this post.