All posts by Amanda J Spedding

Writer, editor, caffeine-addict, wannabe-ninja.

‘Tis the season to be… award-y

It’s that time of year again. Award season. Or the nominating and voting of such. It’s a time for writers to really pimp their wares for reader-voted honours, or to pray to all the gods (or none) that it will be their name on a nice, shiny trophy.

I have a love/uncomfortable relationship with awards and the award-season. I’ve been lucky enough to win two Australian Shadows Awards (short fiction & graphic novel), and that’s a pretty damn fine high, I gotta say. Yet the whole idea of pimping my work makes me all kinds of uncomfortable. Sure, it’s part of the gig ‒ I get that ‒ and I do pimp my work because I’d be a fool not to. Some authors, though, have a gift for it. Me? I will pimp the shit out of friends’ work I love, but when it comes to my own… <insert squirming here>

uncomfortable

What I do love about the award season is discovering new work and new authors. With so many books on the market, not all of which are good, and some that really have no right to be there (I’m looking at you, unedited books with shite covers), award season hones those great reads down for me. As an editor, my personal reading time is precious, so a poorly edited or plot-hole riddled book will make me stabby.

Speaking of segues, the first lot of awards are in – The Best of Fantasy Stabby Awards, as voted by Reddit. Not only does the ‘Stabby’ have a sword as its trophy (like, what else?), but this year an Aussie nabbed one of those swords for himself. Evil is a Matter of Perspective (Adrian Collins, ed.), put out through Grimdark Magazine.

The preliminary ballot for the Horror Writers Association Bram Stoker Awards has also been announced, with some Aussie and Kiwi writers making their mark this year as well. Big up Alan Baxter for The Book Club;  Lee Murray and Dan Rabarts for Hounds of the Underworld; and Aussie blogger Adrian Bookhead up for superior achievement in blogging for Grim Reader Reviews.

But wait, there’s more! The Aussie awards are open for nominations too: Australian Shadows, Aurealis, and Ditmar. Get eligible works in, folks, if you haven’t already.

Look, there’s probably a tonne more that are open, and the social media dance of books and nominations and votes and publicity and ‘read my book’ is inevitably coming, and it can be exhausting. Thing is, if your name isn’t King, Rowling, or Gaiman (for instance), chances are you work another job (or two) to pay bills and do things like eat. So award season is the opportunity to get your name and your work out there to new readers who just may buy your book. It may put you on the radar for future book deals. It could make a writer’s life a bit easier.

Conversely, awards aren’t the value of your work. I’ll say that again: AWARDS AREN’T THE VALUE OF YOUR WORK! I’ve read brilliant pieces that never won an award or made a shortlist. I’ve written stories I thought were pretty damn good that didn’t get a look in. It can be like a punch to the gut, no doubt, but awards don’t define you as a writer. They help, sure, and those trophies sitting on your desk or shelf are suh-weeeet, but once it’s all said and done, you’re still putting ink to paper (or fingers to keyboard).

What it boils down to is: MAKE GOOD ART. That’s all you can do. And if you’re shortlisted for an award, I tip my hat to you (it’s a fabulous hat). And if not? Keep writing, my friend, it’s the act of creating that draws you back to words, not the awards. Besides, there’s always next year.

 

2017: Heroes and Vikings, and the Shit Year it was

If it were up to me, I’d wrap 2017 in a whole pile of monkey shit and set that bitch afire. Twice. But part of me wants to hold tight to 2017, to never let that first part of it go. There was good in my 2017, but the shit… oh, the shit. When I look back on this year, I can see the wonderful in it: the successes, the people I’ve met, and those I’ve surrounded myself with. Of that, I am thankful, but the last half of this year especially was life-changing in a way you never want it to be. The way no one ever wants it to be.

There are some things you just never get over, and the loss of my mother darkens any good this year threw my way. This is the first time I’ve mentioned her passing publicly, and I’m not going to go into how amazing she was (she’s a hero, my hero), and how hard she fought (like a fucking Viking), or how fucked-up disease is (I never knew how much I could hate a thing), or how much I miss her (there’s an ache inside that will never go away). She deserves so much more than I could ever put into words.

Writing has always been a solace, but I’m only now starting to think of words again. Small and simple though they be, it’s a start. There’s a normalcy to it that my heart sometimes fights ‒ how can I be ‘normal’ again? But I can almost feel that slap upside my head. Like I said, a fucking Viking.

2017 was the year I had my mother. It was the year I did not.

So I wrote a thing, not long before the world ripped away what was light and good. It’s nothing special, but it’s from a life to which I can never return. A life where my mother’s heart beat in fierce defiance.

I wonder at its content; it resonates now in a way it didn’t when I wrote it. And while I want to see the end of this shittiest of shittest years, I also want to hold onto it and never let it go.

HARVEST

“In blood Skarja walks, the souls of all she’s killed the great shadow at her back!” Mira shouted above the storm’s fury as I grabbed my scythe. “My dreams do not lie!”

Too long I’d stayed; lines appearing on my wife’s face where they never would on mine. I’d run, draw Skarja away. Mira would be spared. This time, no children had I sired.

Howling winds rattled the shutters of our hut as Mira dragged me from the door. “She comes! Your name upon her lips!”

Fear for me darkened her eyes. That was why I’d loved again when I’d sworn nevermore. My kiss lingered, savouring lips I hoped would never curse my name.

“Flee,” I begged. “Wipe me from memory.” I charged into the storm. If I could get to the mountains, if—

Skarja loomed from the maelstrom, spitting my name like venom. “Evka.”

A thousand cuts glistened on her ebony skin, like lightning under the moon’s touch. I knew each one. Had delivered them with hate-fuelled rage ­‒ desperate for what she had that I did not. The shadow behind Skarja writhed as she gathered it to her, faces of the damned morphing into great black wings ‒ shredded and shrieking.

“Not Mira.” I discarded my weapon; dropped to my knees. “Please, not my Mira.”

Skarja laughed; drew me close. Wings wrapped tight tore into my flesh. “You cannot kill a god,” she whispered ‒ words we’d traded since the dawn of the world.

I screamed Mira’s name as Skarja ripped out my heart, taking it as her own. Memories shattered as my twin fled into the night with the one heart we eternally shared.

In the doorway of a hut, a woman sobbed as I gathered my scythe. She, the first harvest for my great shadow.

 

malfunction_by_skirill-d9m0frr

Art: Malfunction by Skirrill

 

Festivus Book Pimping: The Tide series by Anthony J Melchiorri

Next in the Festivus Pimping of the Books comes from Anthony J Melchiorri in the form of his military horror series, The Tide. If you’re looking for monsters with a voracious appetite then this is the book… books for you! Like seriously, these are some of the best developed and creepy AF monsters created.

I’ve read five in this series, with the sixth novel only just released (must get on that), and the writing is phenomenally good. Melchorri knows how to weave a tale and keep the action and the tension high pretty much throughout the books. You get small reprieves, but in this world of monsters, any reprieve is welcomed.

As there are six books in the series, I’m not going to give you a breakdown of each – that’d take too long, but here’s the back-cover blurb for the first in the series ‒ The Tide:

Captain Dominic Holland leads a crew of skilled covert operatives and talented scientific personnel. He’s taken them to all corners of the earth to protect the United States from biological and chemical warfare. When his CIA handler, Meredith Webb, gives him a mission to investigate a disturbing lead on a laboratory based out of an abandoned oil rig, they discover the most terrifying threat to mankind they’ve ever faced—a genetically engineered biological weapon called the Oni Agent.

Back in the United States, Meredith discovers a frightening connection between the CIA and the Oni Agent. But her investigations are short-lived when the Agent spreads and brings mankind to its knees. Cities burn as it turns humans into warped creatures hell-bent on destruction.

Dominic and Meredith vow to do everything they can to combat the Agent and find a cure. But will their efforts be enough to turn the tide—or is humanity’s fate already sealed?

the-tide

These are some badass creatures, and it’s clear Melchiorri’s has tapped into his background in Biomedical Engineering (do not let this man loose in a lab without a serious supply of caffeine) to warp humans into what the characters affectionately call “Skulls”. I’d so love to tell you why, but I don’t want to taint the joy of that discovery for you.

There’s a lot to love about this series: the characters are flawed and believable, the fight scenes are graphically awesome, the Skulls and the way their DNA warps them is most excellent, and the writing is sharp and on point. And guns. There’s a whole bunch of firepower in these books. Oh, and Melchiorri doesn’t shy from killing off characters – that’s a definite plus for me; sometimes you gotta make the hard call.

So if you’re looking to put some horror into your Christmas (and not just the horror of venturing into the Christmas crowds), then I can’t recommend this series enough.

Recommended for lovers of horror, military horror, apocalypse tales, killer monsters, covert ops, political bastardry, puppies.

Available in all formats.

Festivus Book Pimping: Dark Edges by Catherine Lee

Next in the Festivus of the Pimping of Books we’re going to hit some crime. Death and drugs and deception, oh my!  Catherine Lee is an Aussie crime writer, and her Cooper & Quinn Dark Series is really starting to gain some well-deserved traction. Combining murder mystery and police procedural, and set in the heart of Sydney, I was hooked from the first book.

Lee’s narrative is sharp, and the crimes she ‒ or rather Detectives Cooper and Quinn ‒ tackle, could almost be ripped straight from the headlines. That’s the thing with Lee’s books, the crimes committed (and investigated) mirror the society we live in, and while not a didactic narrative on the world’s state-of-play, it does make you think.

Dark Edges is the fifth novel in the series (there are two novellas), and the twists and turns in this story don’t let up. Just when you think you have a handle on it… bam! But that’s what I like in a crime/mystery novel – you discover as the detectives do. And Lee seems to be ramping up the tension and odds with each book.

Dark-Edges

Here’s the back-cover blurb for Dark Edges:

A football player in the prime of his life is found dead from an apparent drug overdose. Was it an accident, suicide, or something more sinister?
Detective Charlie Cooper is struggling just to keep awake after some upheaval on the home front. But life is busy for everyone, and Cooper is intrigued from the start with this baffling case. Jimmy Dallas was a rising star with everything to live for – would he really have stuck a needle in his arm the week before the biggest match of his career?
Joel Maguire, for one, does not believe his best mate would have knowingly injected himself with anything. Reeling from the shock loss, and dealing with some issues of his own, the Rangers’ star player struggles to put one foot in front of the other, let alone play finals football.
Australian rugby league takes centre stage in the fifth book of Catherine Lee’s page-turning Dark Series. Strap yourself in as Cooper and Quinn tackle the controversial issue of drugs in sport.

Each of the book works as a standalone, so you don’t necessarily need to read them all, but with over-arching character development for both of the detectives, and some secondary characters popping up now and then throughout the other books… well, BOOKS! Who doesn’t love to read books?

I can’t recommend this series enough. Cooper and Quinn are well-developed, well-rounded characters, each with their own flaws and quirks. Having the setting pretty much in my own backyard is a such a welcome change to the generic US-based books that flood the market.

Recommended for those who love crime, murder mystery, police procedural, stabby-stabby, shooty-shooty (yeah, that sounded way better in my head). Look, just buy the book… hell, buy the whole series.

Available in all formats.

Festivus Book Pimping: Primordial by David Wood and Alan Baxter

All right, who wants monsters? And here I’m talking monsters-of-the-deep variety. You do? Excellent! Well, have I the pimp for you! Book pimp, I mean, not… moving on. So, this monster thing I was talking about before you all fell into the gutter, is of the ancient ilk. Primordial, in fact (see what I did there?). And it’s of the big bitey kind.

Primordial by David Wood and Alan Baxter is a ‘creature feature’ novel with the search for a monster purportedly living in a Finnish lake. The book follows Australian marine biologist Sam Ashton, who take on the job of scientific sceptic for billionaire-come-batshit-crazy-dude, Ellis Holloway. Along for the ride is a documentary team, led by Joanne Slater; Holloway’s bodyguard, and a local fisherman. On shore, (yes, they get to shore), is local historian Old Mo, who keeps the legend of Lake Kaarme alive.

This book contains myths and legends, nods to Hollow Earth, Jurassic Park, and a little bit of Jaws thrown in to get the pulse racing in those underwater scenes (swim faster, you fools!).  There’s a lot going on in this story, and the authors take the readers on quite the ride… swim… boat… (shut up). There’s horror, suspense, some gore, a little bit of bow-chicka-wow-wow, but this is a slick novel that will have your pulse racing.

Back-cover blurb below:

Sometimes, the legends are true. When eccentric billionaire, Ellis Holloway, hires renegade marine biologist, Sam Aston, to investigate the legend of a monster in a remote Finnish lake, Aston envisions an easy paycheck and a chance to clear his gambling debts. But he gets much more. There is something terrible living beneath the dark waters of Lake Kaarme and it is hungry. As the death toll mounts, Aston faces superstitious locals, a power-hungry police chief, and a benefactor’s descent into madness as he races to find the legendary beast of the lake.

Primordial-full

(Killer cover by the uber-talented Dean Samed of Neostock.)

Buy this book for someone you love, or don’t love, or like a lot or just a wee bit. Look, this is an excellent read with a tight plot, excellent characters, and a monster that will make you wet your pants*. You can’t go wrong.

Recommended for lovers of horror, suspense, creature-feature stories, big-bitey things, legendary creatures, cryptozoology.

 

* No pants were soiled in the reading of this book.  

Festivus Book Pimping: Red Queen’s War trilogy by Mark Lawrence

Hear ye! Hear ye! Second in the most Festivus of Book Pimping is Mark Lawrence’s Red Queen’s War trilogy. It was The Wheel of Osheim, the last in the trifecta, I read this year. This book also has the honour of being the first story I read on my kindle (I have the paperback also, because having only two books of a trilogy sitting in my bookcase makes me twitch – it ain’t pretty).

The Red Queen’s War trilogy is the second in Lawrence’s grimdark series – the first being The Broken Empire trilogy, but there’s no need to read that first as while there is a most excellent crossover in the second series, each trilogy stands alone.

Right then, trilogy equals three books: Prince of Fools, The Liar’s Key, and rounding it out is The Wheel of Osheim ­‒ a hell of a tome. Like, doorstop size. Makes sense, there’s a lot to tie up in the final book of a trilogy.

So, what’s this about? I mentioned grimdark earlier, and while there’s always some debate as to what that is, I think the most simple explanation is a story that doesn’t pull punches when it comes the darkest depths of human behaviour. Unapologetic characters who do what they must to survive, to thrive, and let the consequences fall where they may. Redemption? Pfft, spit that from thy mouth!

Don’t ever go into Lawrence’s books looking for a rainbows and unicorns and elves and shit – fantasy this may be, but these worlds are filled with darkness and the dead. It’s really kinda cool. The Red Queen’s War trilogy borrows heavily from the Norse mythos, especially with one of the two main characters: viking Snorri ver Snagason – warrior bard. Snorri holds his own (and then some) with Prince Jalan Kendeth – craven tart. They make quite the pairing. It’s magic that tethers the two together, and ultimately what may tear them, and the world, apart.

the-wheel-of-osheim

I could go on, but here are the back-cover blurbs for each, which are far more succinct than my ramblings above.

Prince of Fools

The Red Queen is old, but the kinds of the Broken Empire fear her as they fear no other. Her grandson, Jalan Kendeth is a coward, a cheat and a womaniser; and tenth in line to the throne. While his grandmother shapes the destiny of millions, Prince Jalan pursues his debauched pleasures. Until he gets entangled with Snorri ver Snagason, a huge Norse axe man, and dragged against his will to the icy north. In a journey across half the Broken Empire, Jalan flees minions of the Dead King, agrees to duel an upstart prince names Jorg Ancrath, and meets the ice witch, Skilfar, all the while seeking a way to part company with Snorri before the Norseman’s quest leads them to face his enemies in the black fort on the edge of the Bitter Ice.

The Liar’s Key

The eyes of the mighty are on the North. Loki’s key has been found and lies in the hands of a feckless prince and broken warrior. Winter has locked Prince Jalan Kendeth far from the luxury of his southern palace. The North may be home to the viking, but he is just as eager to leave. However, even men who hold a key that can open any door must wait for the thaw.

As the ice unlocks its jaws, the Dead King moves to claim what was so nearly his. But there are other players in this game, other hands reaching for Loki’s key. Jalan wants only to return to the wine and women of the south, but Snorri aims to find he very door into death and throw it wide. The warrior will challenge all of Hell, if that’s what it takes to bring his wife and children back to the living world. He has found the key – now all he needs is to find the door.

The Wheel of Osheim

All the horrors of Hell stand between Snorri and the rescue of his family, if indeed the dead can be rescued. For Jalan, getting back out alive and with Loki’s key is all that matters. Loki’s creation can open any lock, any door, and it may also be the key to Jalan’s fortune back in the living world.

Jalan plans t return to his debauched life of wine, women and wagering. Fate, however, has other plans. Larger plans. The Wheel of Osheim is turning ever faster, and it will crack the world unless it’s stopped. When the end of all things looms, and there’s nowhere to run, even the worst coward must find new answers. In the end, it’s win or die.

Look, I can’t recommend these books enough. I once described Mark Lawrence thusly: thief of slumber, time trafficker, broker of the dawn. Once you start with the man’s books, you’re so immersed in the story that your idea of half an hour reading before hitting the sack turns into hours that no amount of coffee can fix the next morning (adulting be hard).

If that isn’t a hell of a selling point, I don’t know what is.

Recommended for readers of fantasy, dark fantasy, horror, grimdark, stabby-stabby, and dead things – there’s a whole lot of dead things.

 

Festivus Book Pimping: In Shadows We Fall by Devin Madson

It’s time! Festivus Book Pimping for 2017 is here! Damn right I’m excited. This is where I get to pimp the books I’ve enjoyed this past year, give you some recommendations, and hopefully have you fine folk make an author very Festivusy (so a word) by buying their book. It’s a win-win! Or… a win-win-win, perhaps.

Kicking the Pimping of the Books of the Fesitvus off is In Shadows We Fall by Devin Madson. This book is a novella-length prequel to Madson’s Vengeance Trilogy (pimped here), there are no spoilers for those who have read the trilogy, and you don’t need to have read VT to enjoy this tale. And enjoy it you will.

Madson has a knack for creating characters that are not only well-rounded but also on the grey side. While this book skirts the boundaries of full-on grimdark, it so beautifully dips it toes into the genre that if you’re a fan of stories that blur the lines between light and dark then this tale is definitely one you should pick up.

Set in a pseudo-feudal-Japanese world, the Kisian empire is on the brink of war, held together by fragile threads. Nothing is ever what it seems in Madson’s books, and she doesn’t disappoint here. The language is beautiful, the rituals and ceremonies befitting when gods sit on thrones. The Eastern-flavour of this universe is refreshing, and the setting and imagery comes to life on the pages.

Blurb:

You will die. Your children will die. The empire will burn,

Empress Li is out of favour at court. Foreign-born and past her prime, she is to be set aside. But she won’t go quietly. With nothing left to lose, Li will do anything to stop Emperor Lan signing a secret alliance that could tear the empire apart. Yet when her life is threatened, old mistakes come back to haunt her and only a three-year-old boy can change the course of history.

With everything at stake, could an innocent child be the best assassin.

Shadows

 

And you can’t go past that cover. This is original artwork created for In Shadows We Fall, and artist John Anthony Di Giovanni has produced a thing of beauty that captures the essence of Empress Li. There’s always something special about covers that contain original artwork, and Madson’s cover is why.

On a Goodreads scale, I give In Shadows We Fall five stars.

Recommended for readers of fantasy, dark fantasy, political intrigue, stabby-stabby, killer magic systems.

You can read In Shadows We Fall free if you sign up to Madson’s newsletter (an ebook copy of the story will be sent to you).  You can also purchase ebook and print from the website here, or you can purchase from Amazon or wherever you buy your reading.

Cover art: John Anthony Di Giovanni

Cover design: Shawn King

FESTIVUS BOOK PIMPING COMING SOON

Yes, folks, we’re edging toward that time of year. If you’re like me, the idea of heading into those outside places with those outside people and running the gauntlet of shoppers as I try to find gifts, brings not so much Christmas cheer, but Christmas jeer. Or beer. Yeah, beer would be good.

Aaanywho, for those of you who are readers, or know readers, or love readers, or can’t think of a present for a family member, a friend, a work colleague, or even your drunk Uncle Dave, fear not! From December 1, I will be reviving Festivus Book Pimping. 

As the name suggests, I will be pimping books I’ve read* and those I’ve worked on, and giving a small breakdown of what each entails, and who they’d suit. Be warned, though, if it’s romance you’re after… well, at least you’ll get to see some great covers.

Books are amazing gifts. They ignite the imagination, they can take you to different worlds, and have you live different lives. And as a present, there’s not much better than that. Except kittens. And puppies.**

All right, buckle up mofos, Festivus Book Pimping will be landing soon!

book imagination

* This is not a call out for reviews or ‘read my work!’ ‒ stay classy, people.

** Kittens and puppies are for life, not just Christmas ‒ don’t be that asshat.

The stories that keep on giving

Writers will tell you nothing much beats publication – be it a short, novella or novel. Signing that contract, getting paid (yes, you should be paid for your work), and having your story out in the world is like crack.

But what happens to those babies once they’ve flown the nest and found new homes? After a given time, well those babies come back. Most will stay filed away, but never underestimate their chance to fly off again and find new homes, new readers.

Reprint markets. Oh, they are wonderful things. One of my babies has found a new home with Digital Fiction Publishing League. Unlike children (real, human-like ones) there are a few stories of mine that are favourites, and The Whims of my Enemy is one of them. It’s a brutal story, unforgiving to all the characters within, but more so with the main protagonist. Hers is a torturous ride, filled with violence and weighed against the desperate need to survive, and what that survival may cost.

Killing it Softly 2

It seemed a good fit for Killing It Softly 2: a fiction anthology of short stories (the best of women in horror). It’s quite the title, and the editors at DFPL were not only kind enough to accept ‘Whims’ but made it the lead story in the antho, which I was extremely chuffed with. There are some fantastic authors I’m sharing the pages with, and it’s one hell of a tome. Thirty-eight stories that run the gamut of all things horror.

Here’s the blurb:

The first ‘Killing It Softly’ was just the tip of the iceberg…

Beneath the icy depths of this next installment, you’ll be plunged into a world where 38 female horror writers give you a glimpse of their inner-demons, unleashing the hell-fire they suppress in the ‘real’ world. It will disturb you to discover what really lurks inside their minds, because many of these stories delve into pain that can only be experienced by women—leaving you unhinged as you curl up with them during their darkest hour.

Post-partum depression, hording, anorexia, and mental health will be brought to light when viewed through the shadowy perspective of cognitive deception.

Sci-fi, romance, steam-punk, and fantasy intertwine with horror to deliver unsettling, chilling stories; traditional tales of witches, zombies, werewolves, and vampires will be told in twisted new ways that will shock, unnerve, and even repulse you…and within these pages, sometimes new monsters will arise from the ashes.

You may even discover that women can not only write good horror…but in some cases, can do it better.
So if you’re of a mind, and looking for some killer short stories to while away the hours, then check out Killing It Softly 2 ­‒ there’s a little horror out there for everyone.

And for you writers out there, remember there is more than one life to the stories you’ve sent out into the world. Let those babies fly again!

Writers, Retreats, and Insane Asylums

It’s been just over a week since I returned from a Writer’s Retreat held at Mayday Hills Lunatic Asylum at Beechworth. Yep, you read right – a writer’s retreat held at an old insane asylum. It was as awesome as it sounds. Five days sequestered with other writers in a hauntingly (and quite possibly haunted) beautiful asylum is the stuff of inspiration. And personing. I did a whole lot of personing.

What made this doubly excellent was the other writers in attendance, all but one of whom were very close friends, so it was a catch-up of epic proportions. This also meant that we were all comfortable throwing around ideas and points of view, and engaging in general shenanigans. But we were there to write, to have that uninterrupted time some of us seldom get when at home. And it was glorious.

Writing is often a solitary endeavour where you live in your created worlds among created people. But put a bunch of writers together, and it’s a whirlwind of book discussions, plot summaries, story ideas, and why synopsis writing is the tenth circle of Hell. There’s joy in this cacophony; the rise and fall of voices, the quirks and strange paths conversations take that would make no sense to non-writerly folk but which feeds the soul and the muse of those who bleed ink. They will tell you why your story necessitates the killing of a character (beloved or otherwise) then offer a plethora of options on how to do so that would land them on any federal watchlist.

Just being among fellow scribes is enough to invigorate, enough to drown out that writer-imposteritis but we were also fortunate enough to have the wonderful pocket-rocket Kylie Chan providing workshops all through Saturday, which were fantastic, but always there was time to write. There’s not a lot better than sitting in a nicely heated room listening to the clack of keys in the silence as worlds and people are created – individual galaxies within a shared universe. It’s kinda cool.

But when we weren’t writing, there were historical tours of the asylum, and one very late night there was also a paranormal investigation. As much as I would have liked to go on the paranormal investigation, when it’s -4˚ outside… well, I’m staying where the heat is. Those that took up the challenge had a great time despite the sub-zero temps.

We ate, slept and created together… wait, let me rephrase. Look, we bunked down in the same room, wore pretty much all the clothes we’d brought with us when it was time to venture outside – hell, I even wore my slippers out to dinner because damn it was cold. We took the piss out of each other, we laughed, and we revelled in our own and each other’s weirdness.

And the location was everything. The asylum has a melancholic beauty about it.  The history is both shocking and sad, with desolate and worn-down buildings that hold memories that are like scars. For my mind, pain and suffering has a tendency to linger, to echo long after people are gone, and I don’t doubt there is fear and horror etched into some of the walls, the cells of the asylum.

IMG_20170827_220119_resized_20170827_100137334

Too soon the time was over, and I had to take a tiny plane home, but those five days were like manna from heaven. I came away with so much more than just a honed story premise and structural architecture (and glow-in-the-dark skeletal gloves), but a renewed vigour for writing. I can’t wait to go again next year. And I can’t thank all the people involved enough, but let me try.

To Geoff and Dawn for organising and running the reatreat – you two work immensely hard not only on Asylum Ghost Tours but Cohesion Press as well. You two rock. (Special shout out to Mandy and Leah for all they did over the five days as well.)

Now I’m going to list the writers at the retreat – they are an amazing bunch and you really should be reading their work. They’re incredible and diverse storytellers, and there should be something in here for everyone.

Kylie Chan

Devin Madson

Marty Young

Andrew McKiernan

David Schembri

Fiona Shearer.

And for all those writers out there, find a retreat, a place that evokes inspiration and puts you around others who not only share your passion to create, but will encourage and badger you to do so.