Tag Archives: Jason Franks

Festivus Book Pimping – Faerie Apocalypse by Jason Franks

Hark, the Faerie Apocalypse sings! Well, likely more screaming than singing, but work with me here. Breaking through the Pimpus of Festivus veil is Aussie author Jason Franks’ most weirdly wonderful Faerie Apocalypse (IFWG Australia). As you can probably tell by the title, this is some darker reading but Franks has fleshed out this oddly-magical world with characters that verily leap off the page, and the storytelling is masterfully done.

We follow the story of four unnamed protagonists, each with their own story of venturing into the Faerie world. I wasn’t sure whether not knowing the names of the protags would work, but the writing is so well done that the names don’t matter – the stories, the journeys (gods how I hate that word) do.

It’s clever storytelling with sardonic Australian wit that deconstructs everything you ever thought about fairy tales (or faerie tales – absolute bonus for that spelling, too). Faerie Apocalypse draws you in with its fable-esque narrative then continues to hammer any thoughts of hope from you – this isn’t a bad thing. It’s sharp, it’s twisted, and the threads between all four protags and those special faerie world characters are skilfully woven.

And as killer lines are shaping up to be a thing in the Festivus Book Pimping, how’s this: The magus racked the uzi.

Back cover blurb incoming…

Over the centuries the Faerie Realms have drifted away from the mortal world. But for some, the Doors will open. For some, there is a Way to travel there, if they want it badly enough.

If they dream it hard enough.

In this era, only lovers, poets, and madmen can access the Realms of the Land–and for good reason.

A succession of mortals travel to Faerie: a veteran seeking beauty; a magus seeking power; an urchin seeking his wayward father; an engineer seeking meaning. These mortals bring the horrors of our age to the Land, and the Folk who live there respond in kind.

Franks has taken a risky approach to the narrative, and it pays off. There will be those, however, who probably won’t quite take to the quirks, to the brutality, to the mirror Franks places on humankind… the worst of humankind, no matter their intentions. But it’s these types of books that really stand out for me, that hit at the heart of humanity and aren’t afraid to show it in all its ugliness, in all its beauty – you can’t have one without the other.

Faerie Apocalypse was one of my favourite reads this year, you should check it out.

Recommended for readers who like dark fantasy, horror, re/deconstructed faerie tales, boundary-pushing narrative, all-round kick-arse storytelling.

Not suited for those who struggle with violence, horror, and all things dark and nasty. (Huzzah!… Ahem.)

Faerie Apocalypse was one of my favourite reads this year, you should check it out.

Recommended for readers who like dark fantasy, horror, re/deconstructed faerie tales, boundary-pushing narrative, all-round kick-arse storytelling.

Festivus Book Pimping – Jason Franks

Ah, the decision to choose which book to pimp first for your festive-season consideration was far more difficult than I thought it would be. So many great books, and I’m the worst decision-maker when it comes to selecting which book to read next, let alone which book to pimp next. So, as an Aussie, I’m going to start with an Australian author. You really should be reading Aussie authors – we’re awesome.

So, today I’m going to reintroduce you to Melbourne-based author, Jason Franks. Jason is a novelist and comic book/graphic novel author and illustrator, and this year I read his novel Bloody Waters (reviewed here), and the first in the comic series, Left Hand Path (reviewed here).

Bloody Waters

Bloody Waters is an action-packed, supernatural black-comedy that follows the life and times of guitar virtuoso Clarice Marnier. Clarice is a singularly-focused, no-nonsense, quick-witted protagonist you can’t help but love – she does what needs to be done to achieve her goals. I thoroughly enjoyed this book, and recommend it to anyone who has a bent for supernatural horror with more than a sprinkling of dark comedy, witty repartee, and a hell of a twist at the end. I read well into the wee-morning hours to finish this book.

Left Hand Path is also quite a dark comic – we’re talking horror here. I picked up my signed copy at Melbourne ComicCon this year, and this is one seriously cool comic, with fantastic (and explicit – yay!) artwork. In book one (the only issue out at the moment) we’re introduced to the Unconventional Incidents Unit (UIU), who are called to a bloody massacre perpetrated by a demon that’s now loose on the streets of Los Angeles. Very much looking forward to the next issue.

Left Hand Path

While those are the two books of Franks I’ve read, there’s so much more on offer at his website, including the comic series McBlack (think Noir) and The Sixsmiths ­– a family of suburban Satanists who’ve fallen prey to the recession.

What I’ve found with Franks’ work is a delightfully dark satire that makes him stand out from the wonderfully diverse range of books, comics and graphic novels on the market. If you haven’t given his stories a read, then it’s something you really must change. Go. Now. And fill a Christmas stocking with some deliciously dark work. Dare ya.

Recommended for horror lovers, comic connoisseurs, adult audience.

bloody bauble

Review: Left Hand Path by Jason Franks, Paul Abstruse & Eddy Swan

You bet I’m on a roll with posting, but as tomorrow I’m heading away to the country for a week, I thought I’d get this review done. That’s right; it’s review time again!  Today I’m looking at a one of the horror comics from the super-talented Jason FranksLeft Hand Path. I picked this copy up at ComicCon Melbourne – and the last copy at that! Both Jason and artist, Paul Abstruse happily signed it for me, and there really isn’t a lot better than having signed comics and books, I gotta say.

For those who have even a passing association with anything horror-related will have an understanding that the ‘left hand path’ refers to dark magic and Satanism – the path toward evil (yes, that’s a rather simplistic explanation, but I’m not writing a dissertation here). And from page one, we’re thrown right into the mix with a summoning of the Horned One himself.

Left Hand Path

As with any first book in a series, there’s a lot of setting up and introduction of characters (no introduction really needed for Satan, but I can see the same black humour and wit Franks used in his novel Bloody Waters, come through here), and the beginning of plots and sub-plots between said characters.

You can probably guess that Satan gets his kicks on right from the get-go, which pulls in other characters ­– cops Livia and Danik – who have a snarky, gritty dynamic that fits perfectly with the almost noir feel of this side of the comic.

Like I said, this is comic #1 in the series, so here we’re exploring the building of plot and characters, but Franks doesn’t over-dwell on backstory – you can’t with a comic; it has to come through via dialogue and captions, and Left Hand Path shows us Franks is a master at what he does. It’s little wonder this comic was an Aurealis Award finalist.

aurealis

Artwork… ah, artwork, how I love thee! Here, both Paul Abstruse (pencils & inks) and Eddy Swan (colours) really bring this comic to life. The illustrations are beautifully detailed from background to foreground, and Swan has used a perfect dichotomy between muted and vivid colour to really draw the eye. This is especially good when it comes to the gruesome scenes – very visceral in their display, which always makes me smile (hey, each to their own, right?).

Published by Winter City Productions, this is going to be a very cool series to get into, and I’m itching to see what Satan gets up now he’s been unleashed upon the unsuspecting citizens of the city. And more snark from the cops and intolerant (and totally cool) ‘specialist’ sent to stop the big guy tells me this is going to be a lot of fun!

I’ll also make a note here for language and gruesome horror – some of my favourite things, but for others… mebbe not. J

On a Goodreads scale (even though it’s not up on Goodreads – get on that Jason!), I’m giving it 4 stars.

4 stars

Review: Bloody Waters by Jason Franks

I’m a wee bit behind on my reviews as I read like a fiend through January… then life laughed and laughed and laughed at me (I also believe it gave me the finger) when I wanted to keep the pace through February.  Sooo, without further ado…

*taps microphone* Check, one, two… One, two.

Welcome to the stage… Bloody Waters!    *crowd goes wild as Clarice Marnier strides on stage with Motherfucker*

Bloody Waters is Jason Franks’ debut novel released through Possible Press, and a damn fine debut it is. This is the first of Franks’ work I’ve read, and as with any book, you go into it with excitement and a little trepidation: ‘please be good, please be good…’

Well it wasn’t good – it was fan-freakin’-tastic.  Now before we go any further, I’d better put the requisite spoiler warning in…

SPOILER WARNING! THAT’S RIGHT. SPOILERS. LIKELY LOTS OF THEM.  SPOILERS I MEAN. SO READ AHEAD AT YOUR OWN RISK, ‘CAUSE, YOU KNOW, SPOILERS.

Bloody Waters

The story begins with the a chat between an old bluesman and the devil at a crossroads (think Robert Johnson folklore) and the horny dude’s warning of ‘rock and roll badness’ on the horizon. The devil is worried, you see, and the bluesman tells him ‘rock and roll boys ain’t nothin’ to concern himself with.’ The devil agrees, ‘but this one’s a girl.’

It’s the … quirk in the supernatural I really found enjoyable. Satan? He’s a character who holds his own here, and the interactions between him, Clarice, and Clarice’s boyfriend, Johnny, were some of the highlights of the book for me. Kudos to Franks on the great dialogue. But I’m getting ahead of myself.

Bloody Waters follows the life and times of guitar virtuoso, Clarice Marnier.  There’s nothing Clarice wants more than to be a rock guitarist, and when Clarice sets her mind to something, nothing (and I mean nothing) will stand in her way.  She’s focused, forthright, stubborn and proud – she’s a pretty kick-arse character who can actually kick your arse. And seriously, anyone who names one of their guitars ‘Motherfucker’ is alright by me.

You see, no one knows guitars like Clarice, and no plays guitar like Clarice. She has a single-mindedness that sometimes comes across as arrogant, but it didn’t take me long to realise that her no-nonsense attitude is what makes her… Clarice. Oh, and keep an eye out for her one-liners and terrifically and sometimes groan-worthy puns – they’ll put a smile on your face.

After being blacklisted by the music industry, Clarice seeks out band members to form ‘Bloody Waters’, a band she knows is the best out there, but no one will touch them. So Clarice, with the help of boyfriend and frontman, Johnny Chernow, make a deal with the devil for a second chance at taking the world by storm.

And storm the world they do. No band is bigger; no guitarist is better, and no one wants to bring them down more than the music industry that spurned her.  Ensuing battles with demons, wraiths, witches and all other manner of supernatural nasties, then throw in some gangsters, other rock bands, crazy fans and you’ve got one hell of tale taking place on the pages. Most of the supernatural takes place toward the second-half of the book, but there’s no end to the magic that rips through the story.

While Clarice is the star of the book (and the band), frontman Johnny Chernow really does hold his own in this book, and holds his own against the force of nature that is Clarice. He’s also one of the most easy-going warlocks about – nothing much rattles his cage. Without Johnny, a lot of what Clarice can achieve on the supernatural level would be impossible, and while I would have liked to have seen some more…tenderness toward Johnny on Clarice’s part, the final revelation makes you understand why she is the way she is.

pentagram

There’s a lot at play in the novel, but Franks’ works well to not only keep the reader hooked but also guessing as to what’s really going on. The interactions with the Devil always hint at some ulterior motive (no real surprise there, he’s the Devil, Father of Lies and Deceit), and he has an almost soft spot for Clarice, but always at the back of my mind was the crossroads talk with the bluesman at the beginning of the book.

But it’s the revelation at the end of the book I didn’t see coming, and one that was so brilliantly thought out and delivered, it had me reflecting on it for quite a long time afterward.

The only negative I found with my copy of the book was that it could have been edited and proofread with a more expert eye. There were more than a few typos and grammar issues that should not have slipped through. However, the standard of the story and the storytelling itself made this (almost) easy to overlook.

Franks takes the reader on a fast-paced ride filled with black-humour, bloody battles, and a look at ideology from an altogether different standpoint.  His characters are well-fleshed out, engaging, and were perfectly suited to the parts they played. I flew through this book, so engaged was I with the story and the characters. I sat up ‘til 3am to finish it, and if that isn’t the sign of a good book, I don’t know what is.

On a Goodreads scale, I give it five stars. And no, the devil didn’t make me do it.

five stars

 PS. Check out Jason’s comics/graphic novels — they’re well worth the look.