Tag Archives: grim-dark

Festivus Book Pimping – Mark Lawrence

Let’s get some Festivus grimdark on, shall we? Why yes, we shall! This time I’m taking it off-shore, and pimping out Mark Lawrence (yes, I see it, let it go) and his books – trilogies, to be precise. I came late to Lawrence’s books, but that’s worked out remarkably well for me, as I’ve read five of his this year and am waiting (rather impatiently, as is my wont) for the final instalment of his latest trilogy. But I’m getting ahead of myself.

Let’s begin with The Broken Empire series, which was another recommendation from a friend –you rock, Tracy! The first, Prince of Thorns (reviewed here), was the beginning of my addiction to Lawrence’s work. Seriously, his writing’s like crack – just one more page, just one more page… just one more… Many a night I sat up reading to the wee hours, forsaking sleep for story.

The Broken Empire trilogy follows Prince Jorg Ancrath, heir to the kingdom of Ancrath and all-round immoral character. Jorg is both personally driven and nudged along the way by outside forces, but ultimately he’s a character who is incredibly self-aware and unapologetically so. I loved him. It’s a book beautifully told in its barbarity, but it’s a violent, chaotic world filled with magic, monsters, and mayhem. It’s Jorg’s world and he’ll be its king – no matter who he needs to step on, kill, maim, or sacrifice in that endeavour.

broken empire

I read King of Thorns (reviewed here), as quickly as I read the first – I couldn’t get enough of the characters or the world-building, let alone the political manoeuvrings from those vying for the role of emperor. It’s a ‘broken empire’ and there are those who want to see it whole and rule it accordingly, and then there’s the Dead King, slowly working his way into the world of the living.  There’s death on a grand-scale here, so if you’re of the more… delicate reading sensibilities… take a leap into the honesty of the brutalities of war.

I began Empire of Thorns (reviewed here), with a little trepidation, not because I thought it wouldn’t stand up to the grandeur of the first two, but because it was the final in the series – it was coming to an end. I devoured this book (not literally, books aren’t for eating – you should know this), and simultaneously tried to draw it out. It was a battle of epic proportions, as are the battles contained in this last instalment of the trilogy, but no less satisfying when it came to its end. Did I want more? You bet I did. Was I disappointed with the ending? Hell no.

This series is told in the first person point of view, which keeps the reader close, and Lawrence has a gift for wordsmithing that is beautiful and poignant. Oft times a phrase would stop me, and I’d have to read it again purely for the beauty of it. Oh, and when you figure out what this world is… that’s pretty awesome. There are those who call Jorg an ‘anti-hero’ or ‘villainous-hero’, but I disagree – he’s determined, driven, and doesn’t take shit from anyone. I kinda like that.

Prince of Fools

Lawrence’s current trilogy, The Red Queen’s War, is set within the same world of The Broken Empire series, but with completely different characters – and I mean different in every way. It runs concurrently with Jorg’s quest, but in Prince of Fools (reviewed here), it is Prince Jalan Kendeth we follow. Jal is, in his own words: a coward, a cheat and a womaniser… and tenth in line to the throne. He’s a wholly different beast to Jorg, and he should be – this is a different story. We’re also introduced to the very cool Norseman Snorri ver Snagason. Magic has bound the two and they must set off for Snorri’s homeland to undo that magic. Again, nothing is ever what it seems with Lawrence’s storytelling, and the clues and tid-bits he leaves the reader only make you read for longer and again sacrifice sleep.

This continues with The Liar’s Key, which is being lauded as one of the best fantasy books of 2015, and with good reason. I haven’t yet got around to reviewing this book, but… tough call that it is, I’d put it in my top three of all the books I’ve read this year. There’s a criss-crossing of timelines and some characters from The Broken Empire series, but that only cements the ‘realness’ of this story within the large, large world Lawrence has created. For world-building alone, you can’t go past either series.

The Liar's Key

I can’t recommend these books enough. So if you’ve loved ones who like to read fantasy, especially of the dark, unapologetic kind, then The Broken Empire and Red Queen’s War trilogies are one’s you can’t go past. Or buy them for yourself – everyone needs to treat themselves to some dark stuff every once in a while!

And if you’re wondering if these books are as good as I say they are, I sacrificed so much sleep to finish these books, I’m sure I unwittingly sold parts of my soul. I also gave the man a handle:

Mark Lawrence – thief of slumber, time trafficker, broker of the dawn.

Review: Prince of Thorns by Mark Lawrence

Without incurring the wrath of the Jinx Faerie *invokes sign*, my reading for pleasure is going well this year, and it really has been pleasurable reading. While I have a few other reviews to write, I’m jumping ahead here with Prince of Thorns as the book is still very fresh in my mind.

This is the first of Mark Lawrence’s work that I’ve read, and I want to thank my pal, Tracy, for nudging me toward it. Prince of Thorns is the first book in the Broken Empire Trilogy and sits well within the ‘grim-dark’ of fantasy, and it’s a sub-genre in which I’m happy to spend a lot of time. For those of you unfamiliar with the term, ‘grim-dark’ is, as it sounds, a story that is grim and dark in tone and doesn’t shy away from the realities and brutality of such themes. Lawrence hits the ‘grim-dark’ mark with Prince of Thorns.

prince-of-thorns

Now before we get into this, it’s spoiler-alert time, now while I haven’t gone into too great detail with the plot (this really is something you need to experience in all its awful glory), I’m warning you all the same:

SPOILER ALERT: *clanging of bells; blaring of sirens* READ ON AT YOUR OWN RISK. REPRISALS WILL OCCUR TO ANYONE BITCHING OR COMPLAINING ABOUT READING SPOILERS. (I have an angry cat and I’m not afraid to use him. Grim is his name, and he lives up to his moniker.)

Prince of Thorns is told from the first-person point-of-view of main character, Prince Jorg Ancrath, heir to the kingdom of Ancrath, we begin in the aftermath of a village plunder. Right from the outset the reader is plunged into the blood and death that surrounds Jorg, and it’s unapologetic in its telling – as it should be. The first surprise for me, which came at the end of the first chapter, was Jorg’s age – just shy of his fourteenth birthday, his savagery is something a reader would expect in one much older.

Jorg has been on the road with his outlaw ‘brothers’ since he fled from his father after an ambush that killed his mother and younger brother. Jorg, held firm within the thorns of a hook-briar, could do nothing to help his mother and brother, nothing except watch. The betrayal by his father to not seek vengeance on the man who orchestrated the ambush, pushes Jorg to seek vengeance on the mastermind on his own.

Slowly, the story unravels, but just when you think you have a hand on what’s at play, Lawrence manages to turn it on its head, and does so adeptly. There are connections with everything, foreshadowing done so well that it’s not until a revelation appears that those connections shine through.

The cast of support characters, especially Jorg’s band of brothers, are a motley crew, and by ‘standard’ fantasy tropes, not a good one amongst them (apart from Sir Makin and the Nuban – both favourites of mine), but in keeping with the grim-darkness of the book, they’re a perfect fit for not only Jorg, but the story as well. These are interesting, quirky, yet disturbing characters that I was more than happy to get to know better.

But it’s Jorg who commands the story here, and while he embraces the doing of evil deeds with much gusto and little-to-no conscience, there’s an honesty about him I liked. Hell, I was rooting for the kid the whole way. With Jorg, there’s no half-measures, and in a story such as Lawrence’s, there can be no half-measures, for those who lack commitment live very short lives and tend to die horribly.

bloody handprint

Jorg is driven by the murders of his mother and brother, but there’s more at play in Jorg’s choices and ‘non-choices’ than meets the eye – another revelation that sat well with me. Magic – there is much of it – and yes, dark magic it is. You expected different? And the monsters, aaah, the monsters, they’re plentiful and unique – the scenes that take beneath Castle Red are some of my favourite. Gog, you scamp!

There’s a revelation in this section (no spoilers – it’s well worth the wait) that puts a lot of Jorg’s… learning into perspective – at times I was pulled toward the alternate-universe theory, but this revelation was punched right out of me and I was glad for it.

Right from the beginning you know, Jorg is bound for home, for a confrontation with his remarried father. Another queen sits on the throne, one who bears the king’s preferred heir. Jorg, torn between present and past, finds himself vulnerable in ways he hasn’t been for four years – a dangerous place for him. He’s a wily fellow, Jorg, resourceful and ruthless, and the more I read the more I liked this ‘wholly unlikeable’ character. That’s the thing, I can see why some would find him unsympathetic, soulless, reaping of all that befalls him, but for me… well I liked him. Is he a sociopath? Odds kinda head that way. Is he a monster? To those who get in the way of his goals, yes. Or, is he a product of his environment and history? Aren’t we all. And it’s that honesty, the not shying away from the darkness that lives inside Jorg that makes him wholly likeable for me.

The structure of the storytelling took a little getting used to as Lawrence jumps from present to past and back again often during the storytelling – but this is clearly marked by the different fonts (and the fact it’s signposted: Four years earlier). It’s also how Lawrence gives you the breadcrumbs to Jorg’s story, his history, and the why of his nature.

I have the next instalment of The Broken Empire Trilogy – King of Thorns, and I’m very much looking forward to seeing where Lawrence takes Jorg and his ever-dwindling band of brothers.

For those who are looking for more standard fantasy fare, this might not be for you. And for those who don’t like the blood, gore, death and torture that comes with war, then this probably isn’t the book for you either. But if you’re looking for a story that doesn’t shy from the vulgarities of conquering lands and kingdoms, that is as dark as it is twisted, and has characters who have less redeeming qualities than those you find in most fantasy epics, then this is definitely the book for you.

On a goodreads scale, I give it 4.5 stars.

Four and half stars