With the release of SNAFU: PUNK’D exploding into the world at the end of October, we at Cohesion Press will be getting the bullhorns out to shout the names of our authors and regale you with the tales they’ve spawned for this edition. So, it’s promotion time for all of our storytellers with an author spotlight that gives insight into their imaginariums (tread veeeery carefully), and a tease of their story.
Right then, mount up!
For our seventh instalment of the SNAFU author spotlight, please give a hearty-horror welcome to RPL JOHNSON!
Richard is an Australian science fiction writer and winner of the Gold Award at Writers of the Future and the Jim Baen Memorial Award. King Rat is his fifth appearance in the SNAFU series. He lives in Melbourne with his wife and two young sons and is currently working on a novel, Mappa Mundi, set in the King Rat universe.
As Richard just told you, for SNAFU: PUNK’D, he has melded bio and cyberpunk for his story KING RAT: A cybernetic mercenary with all the aspects of the Chinese zodiac discovers a link between his own past and his latest quarry – a shared history and the chance to right a decades-old wrong. But can he find something more than just revenge
To celebrate the release of SNAFU: Punk’d, Richard’s sci-fi novel The View from Infinity Beach will be on sale for just $2.99 starting on Halloween https://www.amazon.com/dp/B08W347VZD.
The release of SNAFU: PUNK’D is stalking with very little stealth toward the world, and we at Cohesion Press are getting the stage lights all set up for our authors and the tales they’ve forged for this edition. Which means it’s promotion time for all of our storytellers with an author spotlight that gives insight into their imaginariums (use the stealth when approaching, my friends), and a tease of their story. Buckle up!
For our sixth instalment of the SNAFU author spotlight, put your claws together for CJ GOLDBERG!
As a kid, C.J. spent his days exploring the Montana woods, reading horror, and watching scary movies. He soon discovered that storytelling was his passion.
After graduating from The University of Montana with a degree in Acting, C.J. worked as a professional poker dealer for 14 years in Montana bars. During that time, he never gave up on his dream of becoming a horror author. He studied writing craft extensively through books, courses, and workshops, and in 2017 he moved to Glasgow, Scotland while his wife attended graduate school. This allowed him to focus full-time on his writing career.
He now lives in Petaluma, California, with his wife and two kids where, when not changing diapers, he is writing his debut novel, a cosmic horror story set in a remote Montana town.
Cohesion Press is chuffed to bits that we will be presenting to the world CJ’s first published story. For SNAFU: PUNK’D, CJ has dipped his hands into all that is bio-punk with FACTORY OF FEAR: A mercenary and her team search for her team search for her missing brother in a monster-infested bio-factory.
You can find CJ on Bluesky: CJWritesHorror.bsky.social
As we edge ever-closer to the release of SNAFU: PUNK’D (woot!), we at Cohesion Press are all about the shouting and the kudos of our authors and the tales they’ve spawned for this edition. Which mean we’ll be promoting the hell out of all our storytellers with an author spotlight that gives insight into their imaginariums (holy forking shirtballs), a tease of their story, and also promotes their other writerly mischiefs as well. Let’s do this!
Buckle up for our fifth instalment of the SNAFU author spotlight, and give a rowdy welcome to TORION OEY!
Torion holds a BA in psychology and creative writing and an MS in psychology. He has written every year for National Novel Writing Month since 2014 and self-published the mystery Loco Motive and high fantasy Not James on Amazon. He is an SFWA member and has had works featured in Galaxy’s Edge Magazine, Expanded Field Journal, and NonBinary Review.
For this edition of SNAFU, Torion has fanned the flames of firepunk with his tale, OUT OF THE FRYING PAN: A pyromaniac drags a city into a night of turmoil and domestic terrorism when he targets the heads of several big businesses.
Torion has two novels available on Amazon: the first, Loco Motive, is a historical mystery and was self-published in 2019; and the second, Not James, is a high fantasy and was self-published in 2022. The latter book received a positive Kirkus Review which you can read here: https://www.kirkusreviews.com/book-reviews/torion-oey/not-james/
The release of SNAFU: PUNK’D is just weeks away (I’m excited!), and we at Cohesion Press are wanting to celebrate the authors and the tales they’ve created for this edition. So, we’ll be promoting all of our storytellers with an author spotlight that gives insight into their imaginariums (take a flashlight, it’s dark in there), a tease of their story, and also promotes their other writerly works as well. Let’s go!
Huge shout-out to the fourth author in this promotional party… ZACHARY O’SHEA!
Zachary O’Shea lives sometimes in the Land of Neon Sunrises and other times in the Great White North. There’s something about the stark differences between the American Southwest and Northern Ontario that he can’t resist. Spoiler; it’s his wife. He has spent his life telling stories from absurd coloring book creations as a child to a lifelong passion for game-mastering role-playing games, and occasionally dipping a toe into short horror fiction. When he’s not writing, which is honestly rare, Zachary is spending time with his family, running a role-playing game session, or blowing off some steam in an MMO. Though, he’s usually writing something in stolen moments even in between all of this.
For this hell of a SNAFU tome, Zac has brought to life (from much death) a clockwork tale with a monster from the depths of time.
THE REFORGED MAN: Brought low by dishonor, reforged with spite and steel, Goro fights the corrupt system that ripped everything away from him. The vengeful ronin has stumbled upon the shogun’s vile plot to unleash a kaiju against his rivals, a plan already in motion. Goro, along with old allies, must stop this strange beast or die trying.
And should you want more of Zac’s work, check this out:
Grease Paint: Crimson Threads #1 is out now. Grease Paint is a modern take on the classic slasher story set in a horror, urban fantasy setting. Psychopomps: Crimson Threads 2 is coming soon. https://www.amazon.com/dp/B0BQH4JJVY
With SNAFU: PUNK’D just weeks away from publication, we at Cohesion Press want to rave about our authors and the tales they’ve penned. We’ll be promoting all of our storytellers with an author spotlight that gives insight into their imaginariums (be afraid), a tease of their story, and promotes their other writerly works as well.
So, without further ado, let’s roll out the red carpet for our third author in this promotional party… MYNA CHANG!
Myna Chang (she/her) is the host of Electric Sheep SF. Her work has been selected for Flash Fiction America (W.W. Norton), Best Small Fictions, Beneath Ceaseless Skies, Small Wonders, Daily Science Fiction, and MicroPodcast’s special science fiction edition. Her micro collection, The Potential of Radio and Rain (CutBank Books) was published in 2023. She has won the Lascaux Prize in Creative Nonfiction and the New Millennium Writings Award in Flash Fiction.
For this editon of SNAFU, Myna has delved into the dark arts of biopunk (yay! Ahem, as you were…), with her story, SITUATION NORMAL: Neuro-linked retrieval specialist Jenna Jones and her canine partner are assigned to rescue a scientist from a secret research facility. Turns out he’s stupid and the building is covered in alien snot, so, you know, another ordinary day.
And here’s a little sumpin’-sumpin’ about Myna’s micro collection that you should definitely check out:
The Potential of Radio and Rain is an award-winning collection of micro fiction by American author Myna Chang. Set in the unforgiving landscape of the shortgrass prairie, these stories explore youth and mortality, love and yearning, through characters who are stubborn and quirky – and ultimately, filled with hope. Released in February 2023, the collection is now in its second printing. Available from CutBank Books.
SNAFU: PUNK’D is just weeks away from publication, and we at Cohesion Press want to heap praise upon our authors and shout their names into the sphere. So… we’re gonna! We’ll be promoting all of our storytellers with an author spotlight that gives insight into their imaginariums (you will never be the same…), a tease of their story, and promotes their other writerly shenanigans as well.
For our second author in this promotional party… MARK RENSHAW, come on down!
Mark is a self-taught writer from a working-class background based in the north-west of the United Kingdom. By day he works in business software development; on weekends, he is a writer of prose, screenplays and produces the occasional short film.
He has had two short stories, Fear and No Title published in An Eclectic Mix Vol 7, alongside several international competition winners. His sci-fi short story Automatic Drive was published in The Singularity50 anthology, while his short story Ragnarok was included in SNAFU: Resurrection published by Cohesion Press. He is currently working on his debut novel series, a sci-fi comedy trilogy called Cyborn.
With his screenplay hat on, Mark won Best Short Screenplay at the 2022 Austin Film Festival. He’s also won Euroscript’s Screen Story competition, Shriekfest, and the Inroads Screenwriting Fellowship.
Mark has written and produced several short films, including The Dollmaker, which has over 24 million views on YouTube, and a mini-series called So Dark.
For SNAFU: Punk’d, Mark has stitched from both cyberpunk and mythos with his story, BATTLEBORG: A military cyborg who is the last line of resistance makes a final stand against mythical creatures that have enslaved Earth.
With the launch of SNAFU: PUNK’D just weeks away, Cohesion Press would like to take this opportunity to not just thank our authors but to shout their names from the rooftops. As such, in the lead up to publication, we’ll be promoting our storytellers with an author spotlight that not only gives you insight into their imaginariums (brace, brace, brace!) and a tease of their story but promotes their other writerly exploits as well.
So to kick-off this promotional party… <raises bullhorn>… please welcome ALAN BAXTER to the stage!
Alan Baxter is a multi-award-winning author who This Is Horror podcast called “Australia’s master of literary darkness” and the Talking Scared podcast dubbed “The Lord of Weird Australia.” He’s also a martial artist, a whisky-soaked swear monkey, and dog lover.
He has penned many a SNAFU tale, and one of those—In Vaulted Halls Entombed—appeared in season 3 of Tim Miller’s Emmy-winning animated series Love Death + Robots. Think monsters, elder gods, and much weaponry… and horror. There is much horror.
For SNAFU: Punk’d, Alan has breached the cyberpunk network with his gritty tale, CLEAN-UP CREW: Someone’s gotta do the dirty work…
I adore shorts. It’s where I honed my skills as a storywriter, and where I continue to hone them. I’m time poor when it comes to writing, with my days filled with client editing—which I love, don’t get me wrong; but to feed that part of my creative soul, I tend to concentrate on shorts (yes, the stories, not the pants).
There’s a real challenge in creating a complete tale within a limited word count, and not just a complete tale, but an engaging one. A tale that drags the reader in and leaves an indelible mark. To have a story we’ve penned, linger, is something for which every writer strives.
That doesn’t mean writing shorts is easy. It ain’t. Especially with tales that have to fit within the teeny-tiny side of word counts. Micro-fiction is its own beast, and she’s a harsh mistress. Every word needs to fight for its place, and it was quite the brouhaha with my latest tale, Of Hawks and Sparrows, published by Nightmare Fuel Magazine where the limit was 666 words. You read that right, just 666 words. I was up for the challenge. And hoo-boy, was it a challenge.
Artwork by Andrew J McKiernan for my story Nightmare’s Cradle (it’s beautiful and fits this tale too)
The theme for this sub-call was: ‘Love Has Teeth’. Quite broad ranging but that just opens a multitude of pathways begging for exploration, especially as love comes in all forms, from romantic to familial to platonic and everything outside and in-between. For me, it was more about the ‘bite’. What are we prepared to do for those we love? How far will we go? How dark will we descend for those who hold a place in our heart?
Of Hawks and Sparrows had been niggling at me for a month or so. I had a basic premise and about eleventy-million different ways it could play out. But my mind is sometimes like a browser with all the tabs open, and I was flitting from path to path until I saw the open call. Then, like a forced reboot, it all fell into place. Kinda. See, no matter how solitary the writing process is, we don’t do this alone.
So, a vomit draft later, and well over 666 words, I gnawed this baby down to its bare bones to see if the story made any kind of sense. And with the persnickety eye of my best friend and writerly cohort, Devin Madson (check out her storytelling, it’s amazing), I hit 666 words on a tale that not only made sense, but which hit all the marks I wanted. Dark, gritty, bloody. Much bite.
Eleven stories were selected for this online showcase of Australian writers, and you can go HERE to read all the shorts (yup, stories not pants!). With each read topping-out at around a minute each, if you’re as time-poor as I am, click that link for a free dose of horror. You can stuff your face with tales or take bite-sized morsels. Each story has its own take on the theme, its own flavour, if you will. Bon appétit!
Nightmare Fuel has also opened their next sub-window with the theme: ‘Don’t Let Them In’.
And yes, that’s a 666-word limit for stories and, as I mentioned above, the magazine is wanting to showcase Aussie authors, so this call is open for Australian citizens and residents only.
As I’m wont to say: read the guidelines, BE the guidelines.
Right, that’s one story acceptance for 2023, here’s hoping for more.
Note: No shorts of the pants kind were hurt in the making of this post.
We have flung wide the window for submissions for the next in Cohesion Press’ SNAFU series (opened the shutters beforehand and everything!). The theme? PUNK’D. Yes, you read that right: PUNK’D. We are looking for all that in ‘PUNK’ in this next edition of the series. Give us your steampunk, your biopunk, cyberpunk, clockpunk, magicpunk, ecopunk, your retrofuturistic… you get the picture. (Or read here and here.)
As the editor-in-chief for Cohesion I tend to do when each sub window comes around, is write up a little sumpin’ sumpin’ regarding the guidelines and what I’m looking for and what I most definitely AM NOT looking for. These are vitally important when it comes to submitting stories to Cohesion.
As is my wont, I will also be filling this post with gifs because snark is built into my DNA, and gifs are the perfect medium for such.
Right! All aboard! Let’s get this baby chugging along!
From the above, you can rightly guess that we’ll be receiving quite a bit of steampunk, and while I do love me some horror-train goodness, the anthology won’t be filled with steampunk stories, so if that’s the way you want to roll, make sure you knock it out of the park – there can be only one (perhaps two).
While your imaginariums are firing on all cylinders, keep in mind that yes, PUNK is the theme but you must also give us ACTION and MONSTERS. The SNAFU series is military-based action-horror of the beasty kind. So give us your modded-creatures, your nano-creepy-crawlies, give us your nightmares… and have your factions fight those nasties!
ACTION. ACTION. ACTION. SNAFU tales are built on action, and it must be a major part of the tale you send us. Did I mention action? There should be action. Lots of it. And monsters.
Also, please keep in mind the anti-authoritarianism, anti-big corporate, pro-personal freedom that so often applies to the punk genre.
Hoo-boy, that’s a lot to take in! Much rules, many bits. But that’s the beauty of Punk that opens it up for such a wide-range of storytelling options. So go wild, my friends!
I would also like to point out that there’s also been slight changes to the guidelines, so have a good ol’ read of those. Seriously. Read them. Twice if you must. Score them into your grey matter and make sure to ADHERE to them – that’s really an important part of the process. Don’t hit the guidelines? Yep, you guessed it, it’s a rejection.
And speaking of rejections, it’s now time for the DO NOT WANT part of the submission process. Pay particular attention to this because holy shit, some fail the comprehension part of this section. DO NOT FAIL THE COMPREHENSION! BE THE COMPREHENSION!
Please get the following into your eyeballs:
Rape as a plot device/backstory
White saviour stories
Racism, bigotry, misogyny of any kind in the narrative voice
Child abuse/paedophilia (can’t believe we have to say this, but we do)
Rape as a plot device/backstory (yes, we have to say this twice)
Fanfiction or derivatives
Should any of the above appear in your tale, it will summarily rejected. No, you cannot argue the point. No, I don’t want to hear your ‘reasoning’ – it will be bullshit, and I don’t have the time nor the crayons to explain to you why this is so.
Something to keep in mind: SNAFU is predicated on action-based stories, active voice is your friend here. Sure, there’s a time and place for passive voice, but action/high tension scenes hit harder with active voice.
I work on a three-tier slush process:
Slush: all stories are read and either rejected or moved to the longlist
Longlist: all stories are re-read and either rejected or moved to the shortlist
Shortlist: yep, re-read and either rejected or you move to ToC.
Note: No acceptances are sent out until AFTER the sub-window closes.
This may seem a laborious process, but it works for me and allows me to curate the best anthology of the stories submitted. The most difficult part is that there are times when I have to reject excellent stories because curating an anthology is also about how well the stories work together to make a kick-arse whole.
Oh, and should you make it to the ToC, your story will be edited. We will work together to make your story the best it can be. Your story may be lightly edited or heavily edited, but it will be edited. Discourse is always encouraged. Mutual respect is a given. You want to be an asshat? We will reject a story at ToC stage if any of the following occurs:
rude and/or derogatory comments
failure to implement edits and/or rewrites in a timely manner (deadlines be real)
requesting a male editor (true and shitty story)
attempting to slyly add words/phrases to your story that hit the DO NOT WANT marks listed earlier in this post (also a true and shitty story)
I think that pretty much covers everything. And if you’ve read this far, gold star to you!
Oh, and if you were unaware, all the SNAFU series is read by Tim Miller (Blur Studios), and some of our published stories have appeared in Love, Death & Robots. If this doesn’t inspire you to send us your very best, well… I got nothin’…
And one final note:
We actively encourage submissions from all cultural backgrounds, ethnicities, and identities. Storytelling is for everyone, and we are richer for it when all voices are heard.
First, I want to give a shout-out to all the authors who subbed to SNAFU: Dead or Alive. *SHOUT-OUT TO ALL THE AUTHORS!*
Penning a story is an accomplishment in and of itself, and something for which you should be immensely proud. Sending said story out in the world can sometimes be a terrifying thing, but send it out you did and I am truly thankful for having read some great stories. But as is the way with slush, cuts need to be made. The first round of rejections have started going out, and if you’re on the receiving end of one of those, know that I read your story in full and appreciated the effort and time that went into sending us your work. Thank you. Thank you for showcasing the talents of the authors in this writing community. Keep up the amazing work!
Which brings me to the next round of the slush process: longlist.
Over the next week or so, all stories that have made it through to the longlist will be read again, and from this a shortlist will be made. While this may seem like a tedious process, it’s the process that works for me. It’s a lot of reading, it’s a lot of note-taking, it’s a lot of angst. Stories don’t just have to grab me by my ear and drag me in but curating an anthology requires stories to work together to make a kick-arse whole, and I don’t take this responsibility lightly.
As I move through the longlist-to-shortlist, the process does become quicker as the stories cement in my mind and the ToC starts to take shape.
Part of this process does mean that I’ll have to reject excellent stories, and that’s always a difficult and painful part of curating anthologies. It really is the shittest of shittest parts of the process—every editor will tell you the same.
So if you find yourself on the receiving end of a rejection, please know you wrote a great story, and keep on putting pen to paper… or fingers to keyboard. You are the reason publications can keep putting out anthologies.
For those of you who have moved through to the longlist, bear with me as I work through—you haven’t made this easy!
Thanks again to all the authors who subbed to Cohesion Press. You rock!
