I meant to write this post before I left for my holiday but having two kids who’d rather video game than pack meant all my days blurred. But now it’s time to have a little chat about awards and such things most writers say they care little about but secretly (and sometimes not-so secretly) want. Sure, we write because we love it, because we’re driven to create words and worlds, because we’d go crazy if we didn’t, but recognition, be it via a sale, a kick-arse review, an award or recommended read is something every writer craves – that external validation that tells us we’re better than that little voice inside telling us we’re shit.
The first six months of the year are filled with awards (too many to list here), and the Australian Shadows Awards are the latest to hit my shores. Run through the Australian Horror Writers Association, it’s the premier awards for Australian and New Zealand horror that always presents really cool trophies – a different one each year, so you never know what you’re going to get.
I had a pony in this race under the ‘edited works’ banner as co-editor (with Geoff Brown) for SNAFU: An Anthology of Military Horror. It was a strong field, up against Simon Dewar’s Suspended in Dusk anthology, and SQ Mag (issue 14) edited by Sophie Yorkston, and with just a week to wait from finalist announcements to the reveal of the winner, it was Sophie Yorkston and SQ Mag who took out the win.
Was I bummed? Sure – who doesn’t want to win an award for the work they’ve put in? Did I edit the anthology with the hopes of winning an award? No. I edited the antho because I got to work with some amazing authors with equally amazing stories. Of that I’m proud. An award win would have been a nice shiny cherry atop a kick-arse cake.
There were four other categories: short fiction, long fiction, novel, and collected works – all with diverse and strong entries, and I was crossing my fingers and toes that two of my buddies (and fellow Sydney SHADOWS boozers) would take out a win.
Huzzahs happened when Andrew J McKeirnan won for his amazing collection Last Year When We Were Young. This is a fantastic collection of shorts that I reviewed here. If you haven’t read it, get off your bum and seek it out – you won’t be disappointed. Andrew’s been a Shadows Award finalist… well, heaps, so it was about time he took out the win. I’m sure he felt the same.
True to form, Alan Baxter took out the win for the short story category with Shadows of the Lonely Dead. He had two nominated works in this category, so that just shows you how much of a damn fine writer he is. Head over to his website and check out his work then buy it. Go on. What are you waiting for?
The novel category was taken out by Aaron Sterns and Greg McLean for Wolf Creek Origins (yes, of the Wolf Creek cinematic fame). Nightmare-inducing fun this! Fun? Okay, so maybe my idea of fun is a little different from yours…
Shane Jiraiya Cummings won the recently renamed Paul Haines Award for Long Fiction with Dreams of Destruction. While I haven’t read this story, I’ve read Shane’s work and I’m not at all surprised he took out this category.
So I didn’t win an award this year – that’s okay. I’ve been a finalist for the Australian Shadows Award, had SNAFU listed as a recommended read on the Bram Stokers’ ballot list, and the reviews for SNAFU have been incredible. I call that a win. I’d be lying if I said it was the ‘win’ I was looking for; you see, I’ve won a Shadows Award for my short fiction, and that’s an addictive high. I want to win another. Hell, I want a win a slew of awards. When I get hit with that writer-imposteritis, the trophy that sits atop my desk tells me I can do this writing thing; that I’m good enough to win an award, no matter what that inner voice says.
The big winner here, though, is Aussie horror fiction, which is going from strength to strength, with recognition and appreciation for the power of Australian storytelling making those around the world sit up and take notice. And well they should.