Review: Left Hand Path by Jason Franks, Paul Abstruse & Eddy Swan

You bet I’m on a roll with posting, but as tomorrow I’m heading away to the country for a week, I thought I’d get this review done. That’s right; it’s review time again!  Today I’m looking at a one of the horror comics from the super-talented Jason FranksLeft Hand Path. I picked this copy up at ComicCon Melbourne – and the last copy at that! Both Jason and artist, Paul Abstruse happily signed it for me, and there really isn’t a lot better than having signed comics and books, I gotta say.

For those who have even a passing association with anything horror-related will have an understanding that the ‘left hand path’ refers to dark magic and Satanism – the path toward evil (yes, that’s a rather simplistic explanation, but I’m not writing a dissertation here). And from page one, we’re thrown right into the mix with a summoning of the Horned One himself.

Left Hand Path

As with any first book in a series, there’s a lot of setting up and introduction of characters (no introduction really needed for Satan, but I can see the same black humour and wit Franks used in his novel Bloody Waters, come through here), and the beginning of plots and sub-plots between said characters.

You can probably guess that Satan gets his kicks on right from the get-go, which pulls in other characters ­– cops Livia and Danik – who have a snarky, gritty dynamic that fits perfectly with the almost noir feel of this side of the comic.

Like I said, this is comic #1 in the series, so here we’re exploring the building of plot and characters, but Franks doesn’t over-dwell on backstory – you can’t with a comic; it has to come through via dialogue and captions, and Left Hand Path shows us Franks is a master at what he does. It’s little wonder this comic was an Aurealis Award finalist.

aurealis

Artwork… ah, artwork, how I love thee! Here, both Paul Abstruse (pencils & inks) and Eddy Swan (colours) really bring this comic to life. The illustrations are beautifully detailed from background to foreground, and Swan has used a perfect dichotomy between muted and vivid colour to really draw the eye. This is especially good when it comes to the gruesome scenes – very visceral in their display, which always makes me smile (hey, each to their own, right?).

Published by Winter City Productions, this is going to be a very cool series to get into, and I’m itching to see what Satan gets up now he’s been unleashed upon the unsuspecting citizens of the city. And more snark from the cops and intolerant (and totally cool) ‘specialist’ sent to stop the big guy tells me this is going to be a lot of fun!

I’ll also make a note here for language and gruesome horror – some of my favourite things, but for others… mebbe not. J

On a Goodreads scale (even though it’s not up on Goodreads – get on that Jason!), I’m giving it 4 stars.

4 stars

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